We let Mike pick a topic this week, so he combined two of his favorite things - Godzilla and Analog Horror. Jason and Matt tag along. Let's review this interesting twist on this timeless classic.
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Unplanned Podnancy
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Don't Look Under The Internet
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We let Mike pick a topic this week, so he combined two of his favorite things - Godzilla and Analog Horror. Jason and Matt tag along. Let's review this interesting twist on this timeless classic.
Starting your own podcast? Use this link to receive a $20 Amazon gift card when you sign up for a paid account with Buzzsprout!
https://www.buzzsprout.com/?referrer_id=1671664
Linktree
Buy us a beer!
Join us in Discord!
DLUTI.com
Unplanned Podnancy
Undefined Graphics (Photography & Graphic Design)
Ghoulish Mortals
Inquiries: dlutipod@gmail.com
Don't Look Under The Internet
PO BOX 6437
Aurora IL 60598
Don't look under the internet.
Speaker 3:That movie came out not long.
Speaker 4:It's like six months before.
Speaker 3:Dark Knight, where he's fucking jacked. He's like 205 pounds.
Speaker 4:Yeah, so the machinist. Apparently his diet consisted of a can of tuna and apple and a cigarette every day for, like I don't know, like four or five months to get down to that. And then obviously he did roids and got yoked Right.
Speaker 1:Got yoked.
Speaker 5:Yeah, yoke is fucked. He's got cock diesel. These fucking method actors and their methods.
Speaker 4:Yeah, apparently he wanted to gain more weight for something at some point, and they were like you're 40 years old now, you have to stop. You're going to destroy your body. And then he got really fat for American. Oh yeah, oh, american ultra, whatever it's called, no, he plays like a Wall Street. Oh oh, american hustle, yeah. And he like got really fat and blew his fucking back out because his body was like stop stop it, please.
Speaker 5:And then he got skinny for four or four where he plays Gora, the God of Butcher, very good.
Speaker 4:Anyhow, hello, welcome everybody.
Speaker 3:Don't Christian under the veil, don't have that.
Speaker 5:Oh yeah, go for it, Hi everyone. Yes, this is Don't Look Under the Internet and Internet Comedy Horror featuring yours truly that there is moody, moody, muck cheeks.
Speaker 4:I'm vengeance.
Speaker 5:Perfect, that's Jason, hello, hello, I am not vengeance, no, I'm getting drunk. There you go, and I'm Dino Spamone. Jesus, italian man at large. And I want to say baseball player, and hey Arnold, I think he was, was either baseball player and hey, arnold, I think, dino Spamone, that are only Italian dinner.
Speaker 4:What's the difference between that and Angels in the outfield?
Speaker 5:I feel like you have a joke. I don't know what. I just came up with another movie about baseball Angels. I was trying to set you up for something?
Speaker 4:Stop, you're blurry.
Speaker 5:Fix it, fix it, fix it.
Speaker 4:I don't know, I've been trying to fix it for like.
Speaker 5:It doesn't like you. There you go. That's a little better.
Speaker 3:There we go.
Speaker 5:Speaking of video audio listeners how are you?
Speaker 1:Hi, are you no idea what's going?
Speaker 4:on.
Speaker 5:You're recording ours right.
Speaker 4:Yeah.
Speaker 5:Fantastic. That's what I feel like.
Speaker 4:I feel like that happens to the audio listeners a lot since we switched to video. We've progressively become more of a visual presentation.
Speaker 3:We're just going to be like okay, look at this still frame, you see it.
Speaker 5:Cool, I'm the next one we're going to talk about an analog horror today and I'm going to do it in PowerPoint, but physically, with cardboard cutouts of my PowerPoint.
Speaker 4:Just print out every relevant frame from the YouTube videos.
Speaker 5:You're going to have to let me know how this looks, because I'm plugged in, I'm wired, I have my hundred four ethernet cord plugged in.
Speaker 3:You look very clear actually it's a lot better.
Speaker 5:The kids still dab right.
Speaker 4:You look decent, which is amazing.
Speaker 5:How does this look, woo audio listeners? What do you think?
Speaker 4:Jesus Christ, You're motion blurry, but it doesn't make everything just go completely JPEG Also.
Speaker 5:I'm using Doug's mic too. So audio listeners, what do you think? Audio listeners, fuck you.
Speaker 3:We've got something for everybody here, the whole segment of the podcast is not for you.
Speaker 5:It's just garbage. Speaking of garbage but like things that are, for me, first offer and do a little deludy.
Speaker 3:Above your head First time that is on time in weeks.
Speaker 5:I know months. I would say, yeah, probably, yeah, perfect, I don't have too much. We don't have any new patrons or, I believe, fourth wall folk, that's okay, we're on a little bit of a streak. We're not getting anybody, so we have a bunch of people last week.
Speaker 4:They were just waiting for you to be gone.
Speaker 5:Are you for cereal right now? Oh yeah, you, bunch of bitches, you did this. You waited for me. I hate all of you. I want all of you to unsubscribe right now. I don't want to be a part of you.
Speaker 3:Please don't do that Don't do it, but I still love you.
Speaker 5:Yeah, I do too. Thank you for doing that. That's really sweet of you. Were they on our website, deludycom, where you'd be able to become a member and get 10% off some merch and also exclusive merch? Were they on there, yeah? And then there were also.
Speaker 4:Patreon people. There was like seven people. Some people on the website, just switched.
Speaker 5:I noticed that. Yeah, I see you burns and other folk. Well, I will say these are all a week old so I'm assuming you already mentioned them. Yes, like a Peter Parker Kidwell. I guess we're just doing fantastic, we did.
Speaker 3:No, I'm going to leave it alone, I just want to double check, we did get an extra $10 from our cash only patron.
Speaker 5:Dude we did it?
Speaker 3:That guy I've never seen. Yeah, and you said make sure you buy something nice with this.
Speaker 5:I'm like thank you, Buy a really cheap whore, and that's why he's in my basement tonight.
Speaker 3:Yeah, that's here we are. Go buy three steel reserves, yeah.
Speaker 5:Go buy four Locos, but when they had caffeine in it, God, that was a good time for us wasn't it Staying up till four in the morning playing magic?
Speaker 4:I just get any idea and add it back.
Speaker 3:I just drink those nine Locos, that's like 16 Locos.
Speaker 5:I just drink those cocaine energy drinks and then poured malt liquor in them.
Speaker 4:So that's good. I really wish it would stop doing that.
Speaker 5:It's okay, we're an audio medium anyway.
Speaker 3:You just sit, just like that. Same face Can't move, all right, no, but so I promise we are getting out of the commentary on the video.
Speaker 5:Yeah. So, that's the end of the housekeeping. Apparently we had no housekeeping. I would just say thank you all for listening. Thank you for being here. I have a fun one for you today. My fun one, I mean it's a one, it is one. It's a one it's of all the episodes. We've done this is one topic.
Speaker 1:Yes.
Speaker 5:It's a nice is notorious and we're going to keep saying our mantra Stay calm. Yes, but I'm part of me is really excited for this. So what we're talking about today is the big man himself, the big G, and not I'm not talking about fucking. What's his name? That douche?
Speaker 3:Carl say oh, no, Andrew.
Speaker 5:Tate, we're talking about the big GM, g man himself. We're talking about, like G man from half life. No, we're different.
Speaker 4:Like that's very, very relevant.
Speaker 5:Yeah.
Speaker 4:I just want to get the water.
Speaker 5:We're talking today about a Godzilla analog or and I'm very excited words.
Speaker 4:What's it called? Just like, yeah, that yeah fills me with so much.
Speaker 5:Everything I said is right in moods.
Speaker 4:I love it. Yeah, whatever I go to for you on YouTube, that's just it.
Speaker 5:I am very excited to cover this for one reason, one reason only. Us Godzilla fans are fucking eaten this month, bro, so this is coming out a week after, but we got fucking the Kong Skull Island anime on Netflix. We got Godzilla minus one that just came out. We have the trailer for Godzilla X Kong. And we got a fourth thing that I forgot.
Speaker 4:We got the new King Kong video game.
Speaker 5:We got the new King Kong video game. Thank you. It's like really, really bad. 10 out of this game sucks. 9.9 out of 10 stars, says IGN. No, but there's, we Godzilla fans were eaten up. Fucking DC has a DC Justice League Godzilla crossover where they fight Godzilla. That's going on right now too. Fucking eaten dog.
Speaker 3:Yeah, no this is a good time to be a Godzilla fan for us Godzilla fans.
Speaker 5:I'm a big Godzilla fan.
Speaker 3:What is your favorite?
Speaker 5:Godzilla, godzilla, or like creature from Godzilla.
Speaker 3:Like what's your favorite Godzilla film I guess there's a better way to do it because there's a lot of Godzilla. I haven't seen.
Speaker 5:Yeah, I haven't seen minus one yet, but I hear that one's the best of them all. I'm a fan of Shin Godzilla Hell yeah, I'm a fan of the original 1954 Godzilla. And then also it's super cheesy, super shitty. By fucking love final wars and Godzilla versus a bio Lanti, because it's fucking great. And then I love Godzilla versus. Is that space Godzilla? I think we just absolutely God's destroy his son. I think it's space Godzilla, where space Godzilla kills Godzilla son. No, it's destroy, it's destroy and it's very good. I fucking love Godzilla. I fucking love Godzilla and I'm looking forward to this episode because it's Godzilla themed and I like that. Thank you for pouring me a drink. You're on one. What are you drinking? What are you?
Speaker 4:thinking it's putting those guys on I am.
Speaker 5:I could talk all day about Godzilla and I don't care. I don't care what we think about this thing. I just fucking love Godzilla.
Speaker 3:I need five of these later.
Speaker 5:Okay, I don't have five.
Speaker 3:Well, that's not going to happen. We're going to have to figure something out.
Speaker 5:But yeah, I'm very happy. So we're fitting right into that Godzilla algorithm, so hopefully we get on trending Word YouTube is one millionth, one hundredth and forty seven billionth video viewed.
Speaker 3:That was a Order. There was a little off. We will comment on that. Numbers we are numbers, just keep, just keep doing that.
Speaker 5:But if I could say one thing, if I my favorite Okay, yeah, they actually made it worse.
Speaker 3:My rubber all over. No, I turn the shutter on.
Speaker 5:My absolute favorite Godzilla character, I would have to say, is probably Jet Jaguar. Everyone fucking hates Jet Jaguar. I fucking love him, I am super weird, I don't know.
Speaker 1:Super stupid Dude, I'm King Caesar, I love King.
Speaker 5:Caesar.
Speaker 3:I am learning that I don't know anything about Godzilla is because most of the words that you've just said when Jason said.
Speaker 4:When Jason said what's your favorite Godzilla, I thought it was a choice of like three or four. Mike rattled off like.
Speaker 3:I like the amount that we thought existed.
Speaker 5:Yeah, I like the fuck the cat, like one that's from like final wars and everything. There's a Godzilla. The movie is really dope. I forgot the name of it, but Godzilla is a is the big dinosaur from power Rangers.
Speaker 3:Technically that's Godzilla A Kaiju.
Speaker 5:Yes.
Speaker 4:No from from Power Rangers.
Speaker 5:Oh no, but the Power Rangers fight Godzilla. Yeah, and they do, they do.
Speaker 4:Okay, there's a Godzilla movie.
Speaker 5:There's a Godzilla movie, I think, from the seventies or eighties, where Godzilla is. He's no longer a creature created by the new nuclear bomb, he's a create, a monster who is the amalgamation of all of the like dead World War two Japanese vets and they just become this insane, furious, demon, monster thing.
Speaker 2:What was that Japanese Eyes?
Speaker 5:are like white and milky and he's just destroying shit and it's so fucking fun and cool. It's dark. I love it. I fucking love it.
Speaker 3:What do we do with those dead soldiers? Make them a giant wizard, make a lizard. What does that mean? Figure it out.
Speaker 5:Make it a lizard. Yeah, I have a lot of passion for Godzilla. We grew up on it. I love it a lot. It's just very fun. So, we're talking about a.
Speaker 3:literally it's called man the man in the suits.
Speaker 5:If you go on YouTube and you find a YouTube channel unknowingly yeah, it's just called unknowingly that's the guy that created this. That's the channel.
Speaker 3:You can shorten that to.
Speaker 5:God anal whore. But you could find the man in the suit, man who can't card. This is relatively fresh too. No one's really talking about it because it's a pretty fresh one. It just finished Like it's a couple months old. This thing started, I want to say, four months ago.
Speaker 3:It's relatively new. I remember seeing, instead of years, it said months, when.
Speaker 4:I was watching through it, yeah, so it's pretty Exactly what, but just the last one came out three weeks ago.
Speaker 5:Yeah, it's pretty fresh and this guy's already starting on his next analogue whore, so you know it's going to be a ripper. So I'm going to say where do we start with this If not the beginning? Jason?
Speaker 3:So this is again, like Mike said, this is called the man in the suit. It's very recent and it is all about Godzilla. You said it's 11 episodes after the reupload.
Speaker 5:The longest one is about nine minutes long. The longest one is about 11 minutes long.
Speaker 3:Yes, yes, yes, and I also got that one Nice dude. So the first one that we're going to see is called Godzilla suit, incident 1954. Good year, it's about five minutes long and you the video starts with just the Godzilla theme song or the Gojira theme song, and it says that you are going to want to know about the strange story of the actor and the suit, which I thought was a very strange sentence to read, but let's continue Goes on to say that the actor that is inside the Godzilla suit for the 1954 Godzilla movie had he was selected and he, after he started acting and doing takes, apparently he developed this very unhealthy obsession with wearing the suit and apparently most people on set literally just would not see what he looks like. He would never take it off, he'd stay in suit. I mean, that's got to be fucking hot Method acting.
Speaker 4:Well they, they address that. They say it gets hot as fuck and he doesn't care.
Speaker 3:And he just does not give a shit. So he left the suit on and one day they were shooting takes and he kind of just stopped walking in the middle of a take, shutting down, shutting down.
Speaker 1:Rebooting.
Speaker 3:But yeah, literally, he's like he's in the middle of a take where he's supposed to be destroying something, and he just stops moving, apparently, and what is hurt is like this oh dude, same, I'll walk into a room, be like I don't know why I'm here.
Speaker 4:I'll just fucking see, I was saying I'm supposed to be destroying something and I just I'm supposed to be killing people, no, destroying stuff.
Speaker 3:I mean that sounds right, I don't know.
Speaker 5:I'm supposed to be destroying this mini replica city of Tokyo.
Speaker 3:Well, I guess so.
Speaker 5:So so.
Speaker 3:So he develops a super unhealthy obsession right and he's like he gets. He wears the suit 24 seven. He just does not take it off and he just stops acting in the middle of a take. He stops walking when he's supposed to be destroying, like a bridge or something like that, and his breathing gets like super labored. Yeah. So everyone notices this he's a.
Speaker 4:CPAP machine. He sounds like he needs to see that for sure.
Speaker 3:A permanent CPAP. Just somebody blowing air up his nose 24 seven, so he starts to breathe really, really heavily. And they so Toho Productions is the name of the company that is producing this Godzilla in real life. In real life, yes, and also in this life. Right, this is all real life, toho Productions. Essentially, they, they stop the, the take and they try to get them out of the suit, and when they open it, we get something that is going to be a very, very strong trope in this entire series, and it is the. This is what we expected and this is what we found Trope.
Speaker 4:So, With dramatic timing every time.
Speaker 3:Every time Dude I literally sat there waiting for this, like waiting for the, the, what we found to drop, for like 20 seconds. I'm like, should we also explain what format this is in?
Speaker 5:Like it's it's, oh, it's in your favorite Moot. You tell us yeah, it's a video reel.
Speaker 4:It's a film reel. It's a PowerPoint presentation.
Speaker 3:Yeah, but from. The sifties.
Speaker 4:So it's like grainy. You know, you know the, you know the vibe, it's, it's analog horror.
Speaker 3:Yep, it's just, it's analog horror. Um it's. You get the VHS like, uh, the magnetic glitches, um that, just the different tape glitches that exist within VHS. It looks like it's from the nineties or I guess the fucking fifties. Um, I'm biting my tongue, yep.
Speaker 5:Um, moots just said that that meme of the kid in the school with the vane.
Speaker 4:The girl.
Speaker 1:Yeah.
Speaker 3:Matt, I'm just gonna. I'm gonna say the floodgates have opened and Mike and I are gonna shut the fuck up for 10 minutes and we're just gonna let you go. Um, so it's again. It's he wouldn't get out of the suit, right? So they try to get him out of the suit. When they open the suit, they find the flap that they that he used to get into the suit had basically melded with his skin and it's almost like he's growing into the suit. And so it shows this what we expected versus what we found comparison. And the first one it shows the Godzilla suit and it shows like this white, I think, like the restroom, like peep, like the restroom sign, like that's the person stick figure I actually kind of got chills when they described taking the suit apart and it like destroying his skin, as they're trying to
Speaker 3:take it apart, Like every every time they cut a piece out or they like opened apart. It literally said that it tore his flesh off. Yeah, which buddy? That's very gritty.
Speaker 3:Um you know, so it shows that it shows this what we expected versus what we expected. What we found shows this stick figure that you would find on a restroom stall of a man inside a uh, just like a silhouette of Godzilla, basically showing like this is what it should look like. And then it says this is what we found. And 43 and a half hours later, um, literally like it what seems like an eternity later, uh, essentially this like this red tinted, glitchy Godzilla shows up and it shows a white figure that we're supposed to assume is the humanoid figure inside the suit, but it looks just like the suit, more or less. Um, and then we get a giant fucking siren that blew my ear drums out and that's the end of the episode.
Speaker 3:Um, that's all I got for the first video. It's five minutes long. Um, it's, I mean, I will say it's super fucking creepy. Like it, it definitely. It touches on some dread, it gives you this sense of like something's very wrong and it but it doesn't divulge too much information, which I liked a lot. Um, and up until about, I don't know, six oh seven PM today, I thought I was doing the next video as well but no, you were wrong, I am very wrong. So what does, who does? Who has what?
Speaker 4:state of this playlist changed between us and initially writing the outline and now and today.
Speaker 5:It seems like the creator had to, or got a video removed and had to re upload it. So the next one is called a anger. Anger is suit incident 1955. Um, and anger is, for those of you that don't know, is Godzilla's first.
Speaker 3:I guess enemy Is that what you're going to say, Child his first child.
Speaker 5:No, that's Manila.
Speaker 3:Um and my God, we just. Mike just tells us the history of Godzilla. Yeah, God's, he grows up.
Speaker 4:Like I said, he's the one that gets killed by destroyer, destroyer, whoops his ass and God's, god's God's more like a dragon and this thing is more like a Komodo dragon.
Speaker 5:This thing. It's like an armadillo turtle kind of kind of deal. Armadillo, but essentially, yeah, it's not described in this, but angry is his first villain. He gets thought out from ice, and they basically just throw hands at each other. In this one, though, however, I think Godzilla and just throw hands with pretty much dude, pretty much. So, instead of just getting another suit and another actor, toho was like let's get this man who's melded with this suit to come on for the next movie. We already got him.
Speaker 4:Like he's here, he's already in the suit.
Speaker 5:Yeah, he's already there. We might as well. We already made the suit.
Speaker 5:He can't leave the suit, so and they never really told anyone about it. They decided to keep him out of the public eye and just kind of keep this whole weird shit a secret, which rightfully so. It's a man stuck in a fucking Godzilla suit that became part of it. So in this we also figure out that we had doctors that went and took, took a look and examined the man in the suit and we find out that the doctors weren't really sure what was going on there, like maybe it was from a pill, because that causes your flesh to grow with Took some bad men to fucking hard.
Speaker 5:It mentions that was bones were rearranged to fit the height and the width of the suit, which I think is pretty fucked up too, because you know you only have so many bones. So like his shit's, like stretching and 206. Thank you.
Speaker 3:You're welcome. Unless you're me, unless you're a baby, your child has more bones than you do, so if you need to say, that's true, you have like, don't they have like 200, almost 300 or something?
Speaker 5:Yeah, and if they don't use back together.
Speaker 4:that's called cruisant disease, oh shit.
Speaker 3:It is it all ties together.
Speaker 5:It does. So. They're basically like we brought this man back and he's been. They're like he's being like super creative the audio listeners. I'm sorry you can't see this. Can you like? Can you later on like? I know this is probably going to be a lot for you, but every time you have to do that, can you Photoshop in like a fly or a bee?
Speaker 4:They're just swabbing it. I'm going to do like the Disney Channel, like.
Speaker 1:Yeah, it's going to be the Stevie Wonder version of the Disney Channel. Okay, I hit right.
Speaker 5:Somehow made like the sculpture from SpongeBob, which just dings the Marvel. Perfect. Anyway, I'm going to try to recoup this for the first.
Speaker 3:Good luck, buddy.
Speaker 5:So they brought the man in the suit up for this next movie and they mentioned how he's being very cooperative. He wouldn't really talk much because he lost his vocal cords, but he was still makes noises.
Speaker 3:You just glanced over that. He was real quick, he was make sounds like an animal.
Speaker 5:He lost his vocal cords. He lost his vocal cords, yes, but he's still making grunts like an animal. So they got a guy in an angry suit to go fight the Godzilla. They didn't tell the guy in the angry, angry suit what was going on. They're just like oh, it's just a guy, he's in a suit too, like you.
Speaker 1:And so everything was going great, until yeah.
Speaker 2:Yeah.
Speaker 5:Everything was going great until the last fight. And during this last fight, Godzilla they're. They're fighting everything. Godzilla takes a big bite out of Angrius's neck and you see this in the movie, Bloods gushing out and everything. And they said this was never part of the script. The man in the suit would chomp at the actor's head, making him bleed profusely there.
Speaker 4:Refresely.
Speaker 5:And they're like, oh, the actor would yell like out of pain because obviously this guy's halo.
Speaker 4:You guys bite into my neck.
Speaker 5:He's bonching on his neck.
Speaker 4:And then they mentioned in there yeah, put that back and I need that blood.
Speaker 5:And so later on, after after being nom'd on by this guy in a Godzilla suit, they say the actor would just stop moving and then the man in the Godzilla suit would just stand over the one in the angry suit, and this says, quote, would protect the unconscious actor as he roared at anyone who came close to the unconscious actor. Okay, I did read that, correct. Okay, so the actor in the angry suit wakes up and he starts like violently shaking and everything. The crew goes over to help him, saying that they're fearing the worst and they try to take the suit off of him. But it wouldn't budge.
Speaker 4:Wow, it's almost like this happened twice. Wow what a thought.
Speaker 5:So they mentioned how. They mentioned how they were able to get a picture of the man in the suit roaring and protecting the unconscious angriest actor.
Speaker 1:Dude, I can't. And they're like this is the picture. I can't with that picture.
Speaker 5:Some doofy ass. Dark picture of Godzilla with these handsome eyes.
Speaker 3:It looks like my fucking dog.
Speaker 5:It does look like family. He's got eyebrows and everything it's pretty great. So then we get another reoccurring thing here we get another look at the angry suit and they're like this is what we expected. And it's a guy in the angry suit just in there doing his thing. They're like this is what we found and it's like a giant nervous system.
Speaker 3:It looks like so one thing to remember when you're showing the this is what we expected versus this is what we found. The human aspect of the this is what we expected and this is what we found is always white and the suit is always black. So you can see, so you can differentiate what they're displaying as what is human and what is suit. And so if you look at this the first part it basically shows like a person in a suit very crudely drawn, but either way, tastfully done you can get us a picture now.
Speaker 2:We're drawing.
Speaker 3:Yeah, there we go, give us a drawing, but the second one, like Mike was saying, the after version of it, the entirety of the inside of the suit is just white.
Speaker 5:And it looks like. It looks like tendons or muscle.
Speaker 3:Yeah, it's something tendons or fibrous, Fibrous.
Speaker 5:Yeah, it's fibrous, it's connective tissue. Yeah, and it shows that whatever is happening inside these suits it's not human.
Speaker 4:I hope he doesn't get arthritis, because that's just going to be one big, one, big dropping pain.
Speaker 3:Oh God, that would suck. How many bones do you have? Well, now One One. I have one now.
Speaker 1:How many bones?
Speaker 3:do you?
Speaker 5:have? I have 100. Now I have one. How many bones do you have? Ow Ouch, more or less. That's that video. Okay, what's the next one here? Jaybin All right.
Speaker 3:The next one is called Godzilla Encounter parentheses 1962. Of the fourth kind. Godzilla Encounter. Of the fourth kind. So this one is the what. The third video in the series. It's fuck. I don't remember how long. It is, like seven minutes long or something like that.
Speaker 4:Yeah, Exactly, hell yeah, hell yeah.
Speaker 3:The first two minutes is just an advertisement for.
Speaker 5:King.
Speaker 3:Kong versus Godzilla.
Speaker 5:Oh yeah.
Speaker 3:But as it's like, as it's playing, it like starts to glitch out and like all the colors starts to fade from it and all of us, all you see are like the whites and the blacks. Fantastic movie, by the way.
Speaker 5:Godzilla or King Kong just shows a tree down Godzilla's throat. Hell yeah, Fucking great Hell yeah. Also, if you can find it, look it up. They made a sequel with Mechakong.
Speaker 3:Mechakong.
Speaker 5:They made it. They made a King Kong movie with King Kong versus Mechakong.
Speaker 3:What is his relation to Lanky Kong? Oh, the crown, okay pending.
Speaker 5:Okay, but I fucking love Mekka Kong you. He got like discontinued because everyone hated Mekka Kong. I think he looks fucking awesome.
Speaker 4:I know you do. He's currently estranged from the Kong family because his verse is removed from the DK rap.
Speaker 5:He said he set a slur he wasn't allowed to use.
Speaker 3:You can't do it um, so yeah, the first two have we addressed the fact so far have we addressed.
Speaker 4:The fact thus far that this is like unknowingly, is very clearly Japanese and like all of this is set oh no everything I guess we take that for granted with Godzilla but that's fair yeah yeah.
Speaker 5:So with this you will find some spelling mistakes, yes, some a little bit of broken English here and there, but to me that adds to the charm, because when you watch the Godzilla movies with the dub it it's just as bad and I love it for it. So in my opinion adds a little bit of that. That. That that can't say quah, that camp for me. That I enjoy. I think it's on theme, but also I don't think it's on purpose. I think it was an accident especially considering a detail that Jason's about to
Speaker 3:get into.
Speaker 5:I got something later.
Speaker 3:That's pretty funny to yeah, in this video I you know what I'm gonna. I'm gonna do my best to touch on that carefully. I guess it's it's nothing bad, you'll see anyway. The next video is Godzilla Encounter 1962 and, like I said, the first two minutes of this video is an old ad for basically to generate hype around the new movie coming out of King Kong versus Godzilla and, like I said, it's really starts to glitch and kind of fade so you can't really see much of the video anymore. And then it launches right back into our analog horror style. It says the man in the suit is the what? What is this?
Speaker 2:oh right right, right, okay, I know I was apparently.
Speaker 5:I was apparently typing really fast.
Speaker 3:So man in the suit is the is the only Godzilla costume that exists at this point in time, so they hired him again once again. Why the fuck?
Speaker 5:are you doing this? Because you know what they say.
Speaker 3:Once, twice, three times, three times a flesh amalgamation in a right. Yeah, uh-huh, because.
Speaker 4:I mean, they've made two suits at this point and both of them have.
Speaker 3:The people have gotten stuck inside, so they have actors forever now you know, I don't know, maybe try it again, try a second time, try, try time number two. Well, this is time number three, with calm so yeah but they have not tried to make another Godzilla costume is what I'm saying. Like they've made other creature costumes, but they're like you know what, we've already made one there's a man stuck in it.
Speaker 5:But you know, I just came up with the new, I came up with lore for you, unknowingly, if we remember that you know there's new.
Speaker 3:We were saying the creator's name or you're saying unknowingly like the creator's name, okay, so maybe, maybe what you could do continue this unknowingly.
Speaker 5:I'm gonna say now because I'll forget later. You know there's different eras, like I was saying, I like the hey, yeah and everything each era is a new suit they made, but the same issue keeps happening. They don't know why. They should stop at some point would be my suggestion. They probably got to keep that money going, they always got to give it up.
Speaker 3:They should have just stopped after time, one like oh, this man is just, that's why all the Godzilla's look different is because it keeps happening and they keep deforming into different.
Speaker 4:Godzilla's.
Speaker 3:Maybe if we built the suit this way, it won't happen, yeah yeah if you make it matte instead of shiny, it'll be no, okay, all right, now we got shin Godzilla, damn it. So so again, this apparently is the only Godzilla suit costume that exists, so they hired him again. Why the fuck? And apparently the man in the suit had a large problem doing the the film, because King Kong is an American film and apparently the man who play the man in the suit is racist as fuck against Americans well and that's fine, there's some context later.
Speaker 3:I think oh yeah, there's I'm trying to keep it light here yeah, some good context. Oh yeah, there's very good context. We're gonna save that for a little bit later. So again, they go over hiring the man in the suit and they say that he hates Americans, so this is. And then it says this is where I come in and this is the person that's narrating for us. We're typing to us and it's a picture of someone who has their eyes hidden by a black box and apparently the man in the photo was the cameraman and he was forced to keep quiet about the man in the suit under threat of arrest don't you talk about this flesh amalgamation that we have, or we will put you in jail you'll we're gonna go to.
Speaker 4:Japanese government is in on this too. We've just found out that are.
Speaker 3:People are bluffing because if one person goes to jail, the rest of y'all are too. Yeah that's neither here nor there. So he was forced to keep quiet and apparently the man in the suit did he not voiced? I guess he just displayed that he did not like pretty much.
Speaker 5:That's what I imagine is happening there American?
Speaker 3:no, apparently did not like specifically the actor in the Kong suit, which okay, this I know. I just said he didn't like Americans or American films. He didn't like the actor in the Kong suit whose name was show each hero okay.
Speaker 4:So apparently the reasoning for that is that he feels like this guy is betraying his culture by correct yes, yes and this is how many?
Speaker 3:this is what 62 this. So this is what fucking 515.
Speaker 3:I like to ask questions and he's just like yes, but yeah apparently he does not like the actor in the Kong suit, which again I did just get done, saying he does not like Americans, but apparently he also does not like Japanese people who play American things, because show each hero see, sounds pretty fucking Japanese to me, definitely not American, unless I am very. Japanese American, you racist could be both of those things, but he could not be just American. God damn it, says you, god damn it. I think that was universe did you spill?
Speaker 5:yeah oh, I guess later there's paper towel over there.
Speaker 3:Yeah, I don't want to fry our electronic yeah, you go, do that I got you here so thank.
Speaker 5:God, yeah, yeah, so I got. I'm gonna read off your notes here. So there's a scene here where they that we're again. The cameraman was instructed to not stop filming, so it was a scene where Godzilla uses his atomic breath. Specifically, he was not stop make it pop, yeah, pop, pop, dj.
Speaker 5:So the stainless steel wrote no, that's not where I was oh, you're going a different way, but yeah, but so it didn't go as it was planned to. So it shows the fight between King Kong and Godzilla and it shows it on screen, and this is all in the movie as well. It shows them where they basically they're getting in a scrappy do and they're fighting with each other, and then they tumble off of a cliff and then it glitches away and the cameraman then explains to us that they both went into the water but only the man in the suit surfaced. This calls the cameraman to basically start running away because he's like fuck, I know what's coming. I. To me this alludes that. Can I point out something here?
Speaker 4:they call it a cliff, but oh yeah, it's just like a sandbar right cuz like 100% yeah, this is the scale of this, otherwise wouldn't make a ton of sense do I obsessed over that when I watch this?
Speaker 3:no, do my notes and I'm like it's men in costume.
Speaker 5:It's men in costumes in 1962. Just let it be. No, this is the hill I die. Would you like?
Speaker 3:to take back over. Die on, no man, you're doing a no way better, yeah keep spilling my alcohol, keep pulling your alcohol, yeah, so, anyway.
Speaker 5:So to me it says that only one of them came out and the guy the camera basically runs away in fear because he knows what's gonna be coming. Yes, to me this alludes that he believes that the guy in the King Kong suit is now not a person being affected yeah, not a person anymore. Either I will see or hear from it again explicitly say it but the fact that he's running away and all they say he's like. He's like. I know what, I know what happened, I know where this is going to me.
Speaker 2:That alludes that he's seen this happen twice already cameraman knows exactly what so?
Speaker 5:I think the King Kong guy became one of these creatures but from everybody else's perspective.
Speaker 3:King Kong dead it was just two kaiju's entered. One kaiju drowned drown.
Speaker 5:Yeah, that's what it looked like to them cognitorious, not good swimmer yeah, he don't know how to swim, which you would think be by being on an island, he would know how to swim, you'd think you learn.
Speaker 3:Yeah, try to take a lesson or two.
Speaker 5:Yeah, but it mentions how while the cameraman was running away, the power goes out, and so he's taking pictures. They're very convenient.
Speaker 3:He's taking pictures of himself, not of himself, sorry he's running, yeah, until he hears he's in the pitch black and it's in the hallway and he, he's running, running. And he hears like somebody else here's some else running running in behind him, and so he thinks it's like another person he thinks is a crew member right and there's no light. So he takes a picture to kind of like give some light to the hallway. And then they, we see the picture that he took, and it was not what he thought it was.
Speaker 3:I mean, technically it was a crew member technically it was a crew member, but it was the man in the suit and the picture that he shows. If you didn't, if you weren't listening to or paying attention to the story, you would just think that you're looking at a picture of Freddie fazbear it would be doing legit and like yeah the feet and the like, the animatronic mouth, it's spring Jack.
Speaker 5:Bonnie or whatever, I don't know.
Speaker 3:Five nights of Freddy's, but yeah it's and that's the very last thing you say is the Freddy Fazbear version of guns. Oh god, I saw that five nights of Freddy's movie.
Speaker 5:Did you it's? It's a movie. Okay, that's what I figured it, I, I would. I would watch it again if it was on, like TNT in the background was it scary with no okay not at all it wasn't scary?
Speaker 3:it definitely not at all so you've seen five nights at Freddy's. Have you seen willies wonderland? No, you've seen the non-nick cage version, but you haven't seen the Nick Cage because they had Nick Cage and not speak at all.
Speaker 5:How you're gonna get Nick Cage and not have him speak? That's stupid. The silent but strong type? That's stupid watch the movie you got the man with the most insane voice and the most insane facial acting and you don't let him scream.
Speaker 4:You're stupid that's part, that's the point, that's yeah, well, I hate it, I'll watch it.
Speaker 5:There's also the like banana ram, a jamboree, that's another one, or something like that. What anyway, matt?
Speaker 4:you got the next video, yeah, yeah, let's keep moving the next ones where we get a little bit more insight into what's going on with this weird fucking Godzilla, and this one is called depiction of growth, and we did mention before that there. There are some translation issues going on here, so this video starts off with a slide that says so. I've gone to one of my friends who was smart with this stuff. I won't name her so I'll call her Alisa. I called her, but she was in the middle of teaching her class. But she would still call me because of how curious she was.
Speaker 5:She'd never seen anything like this so basically, yep, so basically a big old run-on sentence so basically the I'm sorry, it's the equivalent of now with the madam web thing where it's. There was when my mother was in the Amazon researching spiders before she died, and he was there too. It's that.
Speaker 4:It's that of a sentence I'm legitimately not making fun of, unknowingly because you speak two languages and I barely speak one correct. Very impressive but it does like Mike said, it does add to the charm.
Speaker 5:It to me it.
Speaker 3:It really does add to it, because back then those dubs for the English dogs were ridiculously bad and I love it it because they didn't add for context, like it was just a direct translation.
Speaker 5:So most of the time it made no fucking sense and I fucking love it.
Speaker 4:Yeah, fucking love it so basically, what this is saying is that the guy who is working as a cameraman on the set contacted someone that I guess he knows, who knows a bit about, and I don't. It just says this stuff. So I don't know if this stuff means radiation, which we'll get into here in a second, or if it means Godzilla, or like if she's just a doctor, I don't know. Yeah.
Speaker 5:I think it. I want to say they probably mean because I might be wrong, but I think they mention radiation and yeah, yeah and cancer. So I think that's, yeah what it is okay.
Speaker 4:So maybe that's what it is like, but anyway, he records the call that he has with this Alisa person and she explains that whatever is happening with the guy in the suit is almost certainly caused by radiation.
Speaker 5:And she goes on to use this metaphor of the cream filling inside of a donut which I think, which times in different ways, but it which, sorry, I don't, I have to bring this up unknowingly. If you're listening to this, let me know. Is that a reference to the Ghostbusters Twinkie thing? Because you are gonna do a Ghostbusters analog horror next is that a reference to the Ghostbusters Twinkie thing?
Speaker 3:I love when Mike is like fully invested in topic because he finds these weird bits of information my breaks, weird connections and sometimes I don't make any sense and sometimes I'm like that's just so stupid it might be. You might be right you might be genius sometimes being stupid has benefits if you go, if you go far enough in one direction. Eventually I accidentally smart.
Speaker 4:There's really no context to how she knows any of this about what's going on in the suit, but she's definitely very confident that radiation has caused this guy to expand inside of the suit like the cream filling inside of a donut, and basically what's going on is this dude's just fused to the suit now, so he's like he's blown up, literally exploded, yeah, inside of the suit and all of his like organic matter is just filling the suit now.
Speaker 3:So what was the suit is basically now this guy's epidermis like yep, he's got new skin he's got new teeth and I guess his eyes have a line with the eye holes in the suit, and because of that, I guess the suit has bloodshot eyes, which is a thing that comes up repeatedly throughout the rest of the series.
Speaker 4:So what she tells him to do next it. Well, first she says she need, he needs to kill this thing before it destroys all of mankind, but then the next thing that she does is gives him a vague description of something that he's supposed to take to an artist and have them draw. That is supposed to be a visual representation of what this thing is going to look like when it's fully mutated.
Speaker 5:Hey, I'm not going to lie, though the, the art that this is, if it's like hand drawn stuff or like from unknowingly. Yeah, it's fun art, I will say it's fun art like.
Speaker 4:I like the drawings. It just looks like Godzilla, it just is a drawing.
Speaker 5:It's a drawing of Godzilla.
Speaker 4:Yeah, so you're telling me the man in a Godzilla costume is gonna look like a very large Godzilla man never would have gotten there without your help?
Speaker 3:yeah, no.
Speaker 4:And then he says that he doesn't remember the X like the description that she gave him. So I'm getting I'm getting too far into my notes, but she tells him. He says that he can't remember the description that she gave him, the he took to the artist to have the artist make these drawings. Yeah, it just is Godzilla. It's just a drawing of God. Go draw Godzilla. I'm sorry, this video of all the videos in the series there's this is the one. There's one notes on you have. There's one that I have.
Speaker 5:That doesn't make too much sense either, unfortunately but I think again it's a translation just suspend some logic, just for the sake of narrative.
Speaker 3:Anyway, that's the end of the video.
Speaker 4:We see the drawings that the artist made it looks like Godzilla. The next video is the titles in Japanese, but it translates to suit trials. So this video basically goes over some trials that they perform or some experiments that they perform on the dude in the suit. So there's actually a translation of the narration of this video in. Where he can't read it well, it's on the screen, but it's also in the description of the video and it just says we're fully aware of the situation we're in.
Speaker 4:We will do our best to test and what through me, to hear so they can train him. I don't know what this one was supposed to mean, I think it's saying that they're gonna do their best to make some sounds that it can respond to in some way like communicate with it. Yeah, they're essentially trying to retrain the train it, these things, in order to be actors again kind of yeah, so acting the moves.
Speaker 5:I guess they're basically just trying to communicate with it.
Speaker 4:It says that they're gonna try some audio tests that they're they haven't locked inside of a cell and then they have to pay them. Then wouldn't they have to pay them then if?
Speaker 3:they can like. Once I figure out a, communicate with them. It's a Godzilla you throw like a steak and you're good still like.
Speaker 5:But before that, you don't have to do that that's all I'm saying.
Speaker 3:I don't know.
Speaker 5:Godzilla is a part of SAG now I guess pragmatism does not has no, no place here, so go ahead, matt, sorry.
Speaker 4:It also says they shut off the lights on him to keep him inside of it, keep him in darkness, which I assume is maybe just to like to imprison him. All that he can see absolute horror, absolute horror absolute horror, absolute animal horror so the rest of the video is just like a static image of a dark, what I assume is like this thing's leg or something, and in the background you can hear him reciting Oppenheimer's quote that ends in another quote, that's now I am become death to the destroyer of worlds. Destroyer of worlds.
Speaker 4:So after that, happens, then we get like an actual picture of this thing's head, and it do be looking like Godzilla. It do be looking that way, it do be with glowing eyes, the.
Speaker 1:Oppenheimer quote, though that ties into the theory that radiation is causing right, yeah, whatever the fuck is happening.
Speaker 4:Foreshadowing yeah, 100% on I guess it's referencing and foreshadowing at the same time really but yeah, that's the end of that video. And then I guess I was supposed to make notes in the next fucking video and just okay, I got you guess who guess who's got this one, this one?
Speaker 3:it's okay, it's all. It's all, my captain.
Speaker 5:Chaos himself so this next one is called mailed message in 1962 and it's very short. Basically, what it is is our protag here, which you do find out in earlier videos. I believe they reveal themselves in one of your videos are you talking about whoa?
Speaker 3:like. I have no context right now. What, what the? The protagonist all these like this is me.
Speaker 4:Oh, yeah, the cameraman yeah, the camera man reveals himself and yeah, he's going to keep his name and eyes private.
Speaker 5:So that, yeah, yeah, but yeah, but we, we are basically at that point. You find out, this is this is the prototype.
Speaker 4:This is our protagonist, is all being told by this guy's perspective which um will lead to one of my notes later on but this is an american cameraman that was sent to Japan to work on these movies. Hey man, we are speaking in english we gotta suspend logic for for just just like it's
Speaker 3:1962 20 minutes, and then we can peel the veil of reality off.
Speaker 5:I promised it's 1962 moot, just let it go. So this one is essentially Japanese in 1962. They didn't hate them at all.
Speaker 3:No, no, no reason to hate them.
Speaker 5:No reason for them to hate us we didn't have any type of concentration camps in the 40s and or 50s and or 60s or 60 probably too so, god, that was a horrible time, oh american no, make america great again mic no, uh, buh, buh, buh we don't want to do that.
Speaker 3:Um, so basically what the again part is oh, the 80s cocaine.
Speaker 1:Oh, so this one, okay, okay so 9 to 83.
Speaker 5:Wall Street yes.
Speaker 4:So again, four solid years I didn't cure my crippling boneitis. We have to go back.
Speaker 5:So again mail messages 1962 and it starts off with this guy saying someone mailed me this tape. I don't think someone at Toho made this and it's basically a tape of these. I think it's clips from the movie and we see this like Japanese, like subtext subtitles over it and it's being dubbed over by American subtitles and to TLDR. It's basically what I think is from the perspective of the man in the suit, basically saying I fucking hate Americans. They killed my wife, they killed my, my kids, they killed my people, they destroyed my islands, they nuked my wife. I fucking hate them.
Speaker 4:We did. We did be blowing up in a sensibility. We do be blowing and that is a thing, we do.
Speaker 5:Yeah, and it goes on to talk about how much he hates America, and so you get why he was so against why he turned into Godzilla, why he turned into Godzilla. You get why he was against the King Kong.
Speaker 5:Oh, a hundred percent, man, I'm stuff going there because he hates America and then I can't really slight the man for hating us, for blowing up his family like yeah, and so it talks about basically him wanting to get revenge on those who wronged us, and then it ends with the scene from the first Godzilla movie of Godzilla coming up over a cliff, and then it just ends on a still silhouette of Godzilla. So I think what this is supposed to say is that he wants vengeance and revenge on the American people and he's seeing this him being stuck in the suit as his, his form of vengeance, like this is how he can get his vengeance. He sees this as a weapon.
Speaker 2:You know what I mean? Yeah, this suit, he sees him becoming Godzilla.
Speaker 5:He is basically becoming. This is his tool.
Speaker 3:This is the tool which is ironic, which is ironic which is ironic because he's pulling an irony on America, because Godzilla represents.
Speaker 5:He's pulling an irony because Godzilla represents the nuclear bomb that went off on Japan. So Godzilla in itself represents the American destruction that happened to the Japanese people. He became him becoming that to want to destroy America, it's symbolic.
Speaker 2:It's symbolic, it's a full circle fire with radiation.
Speaker 5:Radiation. Yes, hey, maybe that'll work.
Speaker 3:Yeah. So the next video is administer chemo therapy to fire to make it out? If the answers no, I think you have some science to do a doctor walks up to the burning flames.
Speaker 5:Like you have six months to. So the next video is called dorsal extraction 1962. We're going to put these radioactive pellets in your butthole, yes.
Speaker 5:The fire is going to lose all its hair. So basically, what happens in this video is this guy who says and again this is where the translation gets a little caught up it says I recently got two sets of mail. They were shabby but they came from Toho. And then he goes on to say they look sloppy. And he says one was how nobody at Toho mailed me the weird package, even though the mailing address was from there.
Speaker 5:Yeah totally English. Totally English, it was a fucking tape. And then he's like the other was saying I was fired. They must have thought I was telling people this. They were correct. And then he says, thankfully I had befriended someone to be a spy and get me photos and tapes of what was happening.
Speaker 4:Thank you, and so I don't know if the and I laugh when I got to this point in the videos. I don't know if the they were correct is a result of the translation or if they know the joke that they made but, it has the same vibes about fucking do it again.
Speaker 3:It's a weird goofy. I'll fucking do it again.
Speaker 5:100%, yeah, so it's so like again, we're not, it's a translation thing again. Good for you, man. You know two different languages. To where you can make this thing I can, like Moots said, I barely know one, but like we can still laugh, it's still fun.
Speaker 4:You know, there's no wrong in it's like that Chinese family guy box like boot, like box description. You ever seen that? With the no, it's just it's silly and we're not making fun of you at all, it's just silly, the words that kind of just straying together and everything it's fine, but if you want to read some Japanese and some sometime will be it's not going to go well, I got a bonus fucking dude bonus episode idea.
Speaker 3:Yeah, discord just sends us phrases and other languages that we have to try and pronounce and we'll butcher them, destroy these cultures.
Speaker 5:But it's just, it's silly. And again it reminded me of the, remind me of the bad dubs in the old Godzilla dubs. It's fun, but anyway, he, he, he says he befriended someone to be a spy. It basically what I think their meaning here is they just had they got fired and they just have someone on the inside still working with Toho that is giving them information. I don't think there's like a fucking James Bond spot.
Speaker 3:It's like a entrepreneurial double agent, a secret agent man, so we have.
Speaker 5:he says, he came here with a tape.
Speaker 3:Asian man Is it just secret agent man. Those are two very different things.
Speaker 5:So he has this tape and it's called cameraman.
Speaker 3:I'm sorry.
Speaker 5:He has this tape and it's called dorsal extraction. Basically, what this tape is is it's a couple of what look like doctors working on the man in the suit and they say that they basically are trying to work on him. He's being very cooperative. The man in the suit didn't cooperate. They thought it would hurt but it didn't and the results are fantastic. And then you see them. Pretty much just buzz saw off the dorsal fins of the man in the suit.
Speaker 5:Yeah, and then they they come back and they say that again, it's not the best English, but it's still fun. It says I'm surprised. I'm surprised that isn't the end, because the spy told me that after two minutes of this being filmed, the man in the suit would attack a man with a camera. He told me the flash from the camera hurt his eyes, buddy and so bad bad.
Speaker 4:No, it's not bad it was but there are worse.
Speaker 3:Yeah, we essentially get a couple of Americans that speak worse English than that.
Speaker 5:So we get these still shots from the camera man that was attacked and you get like three still shots of like his, the man, the suits leg and his thigh and then you get what I would say is probably the iconic image from this analog or, and it is a image of Godzilla's face and it kind of looks like it's splitting open a little bit. A little. You know what I mean, do you guys?
Speaker 3:guys in the eyes are dark. I know you're trying to build it looks very sorry, it does yeah. Do you guys remember the picture of the? It's like a, it's like a toy dinosaur, but the bottom lip is like curled up Jurassic. Park, stephen, stephen.
Speaker 5:Yes, you know what now that you say that I totally see it.
Speaker 3:It does kind of look like that.
Speaker 5:It looks like the even dinosaur.
Speaker 3:See that.
Speaker 5:Yeah, so our next video is called angry, angry suits I 1956.
Speaker 3:I hope nobody wanted to be scared by this. I'm so sorry. I don't think they will, okay.
Speaker 5:Unfortunately. So it starts off essentially by saying that he found this tape that he wanted and that he wanted to know what happened to the man in the angry suit. And then we get this tape from Toho which essentially is saying they hired back the man from the angry suit for Godzilla versus angry is to, and that the people are really excited to see him, but he does not want to be seen. It goes on to say that essentially, the man in the angry suit has been acting differently as well. They say that he's been going silent. He's acting more beast like. They say that they were trying to train him like a dog to do tricks. Yeah, so this angry suit fella is Farrell Farrell.
Speaker 5:Yeah, farrell is and then we get an image and I was like damn, this is actually a pretty baller looking fucking picture. Like it's very fun looking, it's very scary, like it's a picture of angry. And then it dawned on me because I was like angriest or anguished. I believe it's anguished, it's spelled anguished, but everyone says anguished. If I remember, I'm going to listen to the Godzilla, expert on this, yeah.
Speaker 5:But so I was like, wow, this is a very terrifying looking image. I don't recall this from any images of the angry costume that I am aware of, and I know why it's because it's a fucking toy. I don't want to like blow the lid on anything. This is just an image of an angriest toy and a Japanese man toy behind him. That is this filtered and if I just expand it you can kind of see what I mean.
Speaker 5:It caught me off because I'm like damn that I was like that looks really cool, the angriest looks cool. And I saw this guy and I was like that's, that's an action figure of a Japanese man, yeah. And then I was like oh, the angriest toys on a stand, yeah, yeah, so, but so it looks fun.
Speaker 1:It's very fun looking. Good job with a rainy photo, though.
Speaker 5:It looks very fun yeah.
Speaker 3:It looks. Considering what it actually is, it looks really good.
Speaker 5:Yeah, and they mentioned how they could not get this man in the angriest suit under control and they were going to have to start using force, using tasers tasers and such and such.
Speaker 3:That's the part that got me.
Speaker 4:I use it. Tazers and nipple clamps, whips and chains, yeah.
Speaker 5:Yeah, whipsing angriest is excite me. And then he mentions, and he mentions that there is his inside spy, mentions that there is going to be another film coming up where Godzilla battles a giant moth. I know.
Speaker 3:I know that was like a sonic bath, I just it was great, so it's just the next video.
Speaker 5:The next video is called a rare newspaper in 1964 and basically what happens on this guy. This guy said that he really was trying, has been trying, to leave Japan.
Speaker 5:but if he, you know the cameraman, right yeah the camera he's like I've tried to get off of this situation and just leave Japan, but if I try to, I'd probably be arrested. He says and he mentioned that he keeps getting worse. And he says how do I know? He says that the man in the suit has escaped somehow. He says how do I know this? It was on the news.
Speaker 4:So it just shows a show on TV. It's fucking huge A bunch of build up to this too.
Speaker 5:Yeah, what I?
Speaker 4:was expecting was I'm the man in the suit or something.
Speaker 1:Yeah, I expected a twist like he's in my house or something I saw it on the news I saw it on the news.
Speaker 3:It's just a still image. Yeah, do you not have a TV in your house?
Speaker 5:The fuck's wrong with you and then he mentions how there have been sightings and witnesses of the creature, this man. I'm good, I you know. I kind of want to quote all this. Yeah, do it, fuck it. One late night couple started to travel home as the husband took some photos. The husband was a photographer and thought taking a picture of the road would be an inspiration to his next photo piece. And so he takes a picture.
Speaker 3:Wow, one of the photos 20 seconds.
Speaker 5:Uh huh, one of the photos captured and I'm going to say these photos for being as edited and what not, as they are.
Speaker 1:They look pretty good. They look pretty good, do the I enjoy them.
Speaker 4:I love the art I want to say that, unfortunately, I think that you photoshopped shit together instead of like making a.
Speaker 5:I images because this would have been very easy to do with a I and you chose to do that and I respected that's exactly as commendable, although I will say I think one image on this is a I generated. I think, it's the one that we're looking at right now.
Speaker 4:I think the ladies voice from the call earlier in the series is a I generated.
Speaker 5:Yeah, the only reason I say I think this image is a I generated and I could very well be wrong, but got it's an image of like. It's a black and white filtered image of like a road and there's a big Godzilla on the side of a road, of the road, and then behind it is a car coming at us. Now they say that the husband was taking pictures of like the scenery by him and from what it looks like to me it looks like two cars coming head on to each other in the same lane and that's why part of me kind of thinks it's a I generated, because you have two vehicles coming at each other in the same lane.
Speaker 4:But I could be the driving past two cars. And then they Photoshopped a Godzilla on top.
Speaker 3:I'd have to see the unfiltered great show.
Speaker 5:I'm not gonna lie, it looks. It looks really well done, it looks great yeah.
Speaker 3:The art of all the images and all the imagery you're gonna see in this series Fantastic. This is where it gets my talk now, so here we go.
Speaker 5:I was, I was laughing at this, I'm not gonna lie. So this one says this is another, another eyewitness.
Speaker 5:So this one says around later that night a boy would see a silhouette of this mysterious beast. Thank you as Godzilla. He stormed us out with a camera trying to get a photo of it and he gets a lot of photos and I'm gonna say these photos are fucking great. I can't honestly tell. I want to say it's a toy and they just use a force perspective to make it look like it's bigger than it is. Some of these images like like this one right here. One of the images is Godzilla like walking down the street and this thing is probably good like eight feet tall. It looks like I don't think that's from a toy because it's casting a shadow from the light. So I but generally think this if this is a photo shop, it's a pretty good photo shop, or you know, this could just be.
Speaker 3:I didn't think Star Wars was models either when I was, when I saw it could be a model.
Speaker 5:Yeah yeah, like I just didn't. But the thing that makes me think it's not a model is the trees and everything. There's a lot of detail in the trees and that light shit, though, like that's.
Speaker 3:Like. That's the one thing.
Speaker 1:I'm saying is that you can't tell, yeah, although all the imagery is so fucking good.
Speaker 3:It looks very convincing. It's good Fucking awesome.
Speaker 5:I love it. So, like I would make that, like generally, I make this like my phone background, so do it Super fun. Yeah, super fun. Anyway, he says this is my favorite part. So it says that the kid got photos and we saw all three of these photos. And then it says we have tried to interview the kid, asking him what he's seen, and to draw a picture of the creature. Why would you even draw a picture of the creature? You have three pictures of the creature, yes. And the kid says I've seen the film with my dad. I know what Godzilla would look like, said the kid. And then the kid goes on to say the thing I saw outside on the street wasn't Godzilla. The beast's skin looked fake, yet real, very uncanny, and it kind of just goes on like that. But I always thought I was cracking up just because it was. It immediately was like these are the pictures the kid took. We asked the kid to draw pictures of Godzilla to show us what it looks like.
Speaker 4:What. They should have gone back to the same artist and just had them draw.
Speaker 3:They should have got a little weird and they could compare them and be like huh, you know like real police, yeah, yeah.
Speaker 5:Well then they mentioned how the kid could not explain how his face looked. He said it kept changing and he thinks it's because of the lack of sleep. Now I feel like they're trying to talk about the kid like this could be perceived two ways. The kids lack of sleep so he couldn't see the face no or that, that or again.
Speaker 5:We mentioned how the Godzilla guy had bloodshot eyes. Yes, maybe his eyes are changing to where you can't really even establish his face. And the kid says because he's got bloodshot eyes, he thinks he looks like that because of a lack of sleep, right?
Speaker 4:Yep who's?
Speaker 5:got you. Okay, who's to say? Who's to say, I like that Poorly not formed.
Speaker 4:Being shoved inside a Godzilla suit, I probably wouldn't sleep much either. To be perfect, probably not.
Speaker 5:No, I'd be angry, honestly, he says. But I do remember one of the faces. He drew a drawing of it and it's a creepy Godzilla face and this one is saying a lot of this looks like it's hand drawn.
Speaker 3:It looks exactly like the fucking picture from my video. Yeah, and it's creepy looking it's creepy.
Speaker 4:I love it it doesn't have scales, it's like a it's like a human flesh thing. Yeah, I like Godzilla.
Speaker 5:Yes, the art, like I said, the like drawn art on this. If this guy made it, I fucking love all this drawn art. It looks so creepy and fun. It's very, genuinely very fun and good Boy.
Speaker 3:how do I have?
Speaker 5:good news for you later. Yeah, so they mentioned how Toho got wind of all this news that was going on about the man in the suit breaking out, and they tried to cover it up saying that it was all just promotion for their new movie that was coming out. They were able to make all the stories stop and basically just sweep all this under the rug. And then our like guy here says that he has too many questions. What was he doing outside? How did he even escape? We're Toho able to catch him? And here I thought we were going to get some big reveal like no, they weren't. Instead it just ends on an image of a mall of Cicada, 3301.
Speaker 5:Yeah, it just ends on an image of a mall, so I was a little upset by that. But that does lead us to what is the final the finale, yes, the final video of of this analog horror that we have.
Speaker 4:It involves a moth.
Speaker 3:It does, it involves at least one monthly. So this one is called a Masura suit incident 1964, and I'm guessing Masura is Japanese for Moth or something in the same vein.
Speaker 5:That's just what they call the Moth Moth or yeah, I think I believe, if I remember correctly, mothra. So you might you might recall, in the first video where God's it was called Gigantis. It was like a translation from Gojira to America. They didn't want to call it Gojira, I believe, so they called it Gigantis. That was real. Godzilla in America was originally called Gigantis Fireman.
Speaker 3:It's only Godzilla, because Gojira sounds like Godzilla, right.
Speaker 4:That's the first video.
Speaker 5:Yeah, that's what I mean, yeah, yeah.
Speaker 3:Very first video.
Speaker 5:Godzilla Gojira, if I remember. I could be butchering this, but if I remember correctly, gojira basically does mean Godzilla Gojira means like God, gojira and Godzilla are the same. It's the same thing, yeah.
Speaker 1:But we didn't know that because we're it's a fantastic, but we were ignorant back then.
Speaker 5:We're just like. We're not going to call it Gojira, we're going to call it Gigantis, and I'm pretty sure that's what happened. Here is a translation issue from the Mothra, so we call it Mosura or Mosura was the Japanese one and we developed it into Mothra and that stuck.
Speaker 3:I don't remember all the way, but either way, just stay as from extraneous details that don't matter to this story whatsoever. We're going to go and get introduced to Mothra, or Mothra according to the video I just fucking put a.
Speaker 5:Mexican Spanish playing on that.
Speaker 3:So this is Mothra Suit, incident 1964. Hey guys, guess what? Guess what they do again. They fucking rehired the man in the suit for Godzilla because apparently in the last 10 goddamn years they did not think to sew a new fucking suit.
Speaker 5:I mean, I'm going to be honest with you, man, at this point. All the shit that's going on in all these years. Yeah, I guess go for broke. This is the least for broke. This is the most believable part. Honestly, you got him my but I fucking why?
Speaker 3:but either way. So Mothra in this film is played entirely by a puppet. And now? So, since you've heard what you've heard about the last several episodes of this, which this doesn't make any sense to me, but continue. Oh man, yeah, I agree, but either way, here we go. So Mothra is played by this puppet. However, a person was still needed to create some realistic movements inside one of the larvae. Is that why?
Speaker 4:No, because they explained that the Moth is so realistic that this thing doesn't know that it's a puppet.
Speaker 5:But for some reason the fucking worms like they got they can puppet wings and shit and like have it fight Godzilla and like can't puppet, a wiggle worm Can't do it, so they so so to me, what they mean by that is because they mentioned how they think that the Mothra puppet is so realistic that this thing thinks it's a person in a costume. But I think it's because you know you keep going, I'll edit.
Speaker 3:Let's do this after the people that are listening to this know what the fuck we're talking about. Yes, it's a save it for like literally two minutes. Yes, so essentially, yes, this is all correct. They had a puppet that was the Mothra beast, and they had to have some sort of human interaction with this, so they had a woman basically get into one of the larvae suits, one of Mothra's larvae, and that's, that was her part. That's what she played and so what she? She actually invited her parents to watch her first day of filming and she was OK getting in the suit because of how much security was involved and assumedly, at this point, everybody that's on crew has been like brief, that hey, everyone gets a gun. That that Godzilla, that like that, that used to be a man, but now it's just an amalgamation of flesh that fills the suit and it moves around somehow. But don't worry about that.
Speaker 3:Also will arrest you if you tell anyone will arrest Godzilla right, so she was OK with it, because there's just a ton of security like guns, a Kimbo.
Speaker 5:I guess Daniel Ratcliffe just he's on set, just a long drag cigarette, cigarette, two guns.
Speaker 1:Yeah, I'm ready for.
Speaker 5:Do some Godzilla.
Speaker 3:But yeah. So apparently she's OK with this. She's been briefed on it. I think it's just because she's super excited. This is like her first filming opportunity and her parents are there to see her her brand new accolades come to fruition. So, man in the suit, the filming is going. Filming continues as usual and the man in the suit, aka Godzilla, becomes agitated and tries to attack and kill the Mothra puppet. And then he realizes it's a puppet, so it made for very good on screen action. However, as soon as the man in the suit realizes that Mothra is actually a puppet, he essentially like, does a 180 on his heels, turns, finds the larva and essentially charges the larva because he knows that there is somebody inside of it. So after charging, the parents take notice and realize something is wrong, so they try to intervene. The woman in the larva suit gets bit on the head by the man in the suit and the way that's described is uncomfortable.
Speaker 3:It's uncomfortable as fuck. The description takes way too long. First off, the whole point of the parents intervening. That takes a while, but so the parents end up intervening or trying to intervene, but that does not work because they get mauled to death.
Speaker 5:So does it get between Godzilla and his prey or children?
Speaker 1:Or a Nazgul in his prey, there you go.
Speaker 3:Or a Nazgul in his mirror. So the parents try to intervene, protecting their daughter from this person. In the Godzilla suit and-.
Speaker 4:Commendable, but no.
Speaker 1:Mike, if Amelia was getting attacked by a?
Speaker 4:Godzilla-shaped thing.
Speaker 3:Would you save your child or run the fuck away? You got daddy energy. You would absolutely save your kid. I would have to. You would have to. You absolutely-. I don't think you'd have a choice. I think your body would just-.
Speaker 5:I would save Godzilla from her, because she's got teeth now, so she bites and it hurts, so I would save Godzilla from her.
Speaker 4:God baby knows how to protect herself. That's where that can show Fuck the- 100%, 100%.
Speaker 3:So the man in the suit then goes to protect the larvae, so he stands in front of it, prevents anybody from getting close to it. This is very similar to behavior to cats Angurious or cats.
Speaker 5:I guess Angurious yes.
Speaker 3:Say this is like identical to the first time they actually saw this happen. So assumedly the people who are there kind of know what's about to happen here and so they're trying to get close to the larva. Godzilla kind of stands in front of them and sorry, the man in the suit stands in front of them and repels them, but eventually they taste, as Goji has been referred to.
Speaker 5:Yes, Goji.
Speaker 4:Yes, Goji.
Speaker 5:Yeah, that's just what they call him in general. Yeah, in real life they call him Goji, that's just-.
Speaker 3:Godzilla's nickname is Goji Yup and because he refused to take off the suit, shows face this, that and the other related to Goji no too. Goji Jojo, oh, doug's not here. He has no comment.
Speaker 1:No.
Speaker 3:Fuck you, doug. So Goji or Godzilla or the man in the suit goes to stand in between the-.
Speaker 1:Is that?
Speaker 3:damn fly again and the larva that just got bit and the crew ends up tasering Godzilla and the man in the suit, aka Godzilla, runs away from Denon and they leave the larva there. And now did I miss something with the fucking spy? Because like it still does not make sense to me, like at all.
Speaker 4:I think the spy is literally just a person, that-.
Speaker 3:It's just a person that's not supposed to be there Again.
Speaker 4:like Well I think they're supposed to be there. I think they're just not supposed to be feeding this guy information. Yeah, yeah, okay, I don't think they're like it's not a spy Right, they're not a professional spy, they're just an individual.
Speaker 5:I think I found he's got a friend on the-.
Speaker 3:It's like if you got fired from work.
Speaker 4:Informant, I think he got the podcast and Mike kept telling him things about the podcast.
Speaker 3:Well, we would never let that happen.
Speaker 5:I signed an NDA. Yeah, exactly.
Speaker 3:His life is legally on the line.
Speaker 5:I was the only one out of the four of us that signed an NDA. Yeah, none of us. No one else did.
Speaker 3:Just Mike, I don't know. Anyway, what was I fucking just talking about? Oh, the spy, the spy. So I think this is another translation issue. I think this is supposed to be Informant and it's just another word for spy, I understand it.
Speaker 1:I understand it.
Speaker 3:Yeah Well, you guys are smarter than I am, so I'm trying to put rationale to my dumbness. It's just not working. So the it says that the spy was in the group of people who then went after the man in the suit who left the studio. They tased him, he got agitated, left the studio and they found him after about an hour, apparently wandering in the forest, and he was just calm as can be, just enjoying things. He was vibing.
Speaker 5:Yeah, he was vibing.
Speaker 3:He just looked like he was enjoying the scenery, he was taking in the views, just the fresh air, and then he's chilling, living his best life, 100% His best goji life. Well, until he noticed the people that were trying to find him. Once that happened Normal life, normal life just ends here. The man in the suit begins shaking, vibrating violently and emitting a weird ass sound. And as they get closer, he begins vomiting red boiling liquid, which I'm guessing is his blood, and the cameraman is also guessing blood, apparently.
Speaker 5:It's I mean, this is just a call back to episode one with the atomic breath.
Speaker 3:This is his atomic breath.
Speaker 5:This is his last atomic breath, I think. I think this is also supposed to be the last remaining bit of his humanity leaving his body 100% Yep, absolutely. Now he is Godzilla, he is.
Speaker 4:Godzilla, he's Godzilla.
Speaker 3:Do you?
Speaker 4:have blood.
Speaker 3:No, Actually not red blood. Who knows anymore.
Speaker 5:It's green right. I mean it depends on the iteration.
Speaker 2:No, it's not green, it is red.
Speaker 3:It's shin Godzilla.
Speaker 5:And it's red, but in the American version it is like a pinkish orange. Oh, it's like hard to say. I'm really happy Do we have?
Speaker 3:Mike here for this.
Speaker 1:Yeah, because I don't know another subject matter.
Speaker 5:Predators blood is green.
Speaker 4:He's very knowledgeable about this stuff.
Speaker 3:Yes, Barely Unlike me.
Speaker 4:I don't know much about Godzilla.
Speaker 3:I should call him and interrupt him from his class.
Speaker 3:So Goji, or the man in the suit, begins vomiting this red boiling liquid, which we presume is blood, being expelled from his mouth. So more just back up that this is in fact his blood. They managed to actually capture him and they quickly move him to a secure location. They feared that he's going to just go fucking batshit and saying and start doing this to everybody around him. So quickly they get him to a secure location and now we have SCP-1954. So after they get him to the secure location, they end up returning to set and they want to check on the woman in the larva suit and so, as is fucking tradition, we get what background I didn't understand the play by play on this because I thought there was another team that stayed behind with her.
Speaker 3:Yep, and that's just called. Well, we'll get to that, matt. That's definitely a.
Speaker 5:Before we get to this conclusion, I'm going to bring up what I wanted to bring up before, but I want to wait until now. Yeah yeah, so we mentioned before how why do they need a person in the larva costume and not in the moth or a puppet? Even because the puppet looked realistic. I think they were trying to say that the puppet looked very realistic to the Godzilla actor because he's more animal than anything now. So the Godzilla, the man in the suit, thought it was realistic enough to be a person in a suit.
Speaker 3:That's what I gleamed from it. I guess if he thought there was somebody controlling the puppet.
Speaker 5:Yeah, that's what I gleamed, because if you look, at the puppet in the actual movies, which this uses footage from the actual movies, so the movies are canon. If you look at those movies it doesn't move realistically. It's very obviously it's a puppet. So I think in the man in the suit's perspective it was realistic enough to be a person, because he's, but I still understand.
Speaker 4:if they were able to accept the movement of the moth, why couldn't they?
Speaker 5:accept the movement of the wiggly. What the Like the production company Toho the larva. Well no, toho just wanted the larva to actually wiggle around, because all the moth was flap wings. You need a larva to wiggle, you need it to wiggle. We don't have that technology in the 1960s, come on, we don't have that technology yet Wiggling technology yeah. The worm, the dance move. The worm doesn't come up until the 90s.
Speaker 5:The wiggle was actually invented as a reaction to these very sort of stiltsy stuff the wiggles Not around yet, captain Feather Sword doesn't exist.
Speaker 3:They do so much code.
Speaker 5:You need this so much.
Speaker 3:Dude, it's fucking great. I used to know that they're sound designer, but that's a story for another time. Get them on the show, no.
Speaker 5:Oh God, Absolutely not, Anyway absolutely not I guess the stuff can give him some code.
Speaker 3:So we just have him talk. We should give Mike some code and see what happens.
Speaker 5:No, never, that's incredible. Probably. No hard drugs, please. Okay, that's fair, advil is the hardest out there.
Speaker 3:So this is seriously the very last bullet point. They return to the larvae suit and we go right back to this trope of this is what we expected to find, this is what we found. So they expected to find a larvae suit that. So this is actually the very different one this is the first time we see this that says we expected to find a woman whose biological matter had filled the entirety of the larvae suit. Normally we see person inside suit. That's what we expected.
Speaker 5:Nope, we were at this point they're like we know what's happening. Yeah, yeah, that's the thing we get.
Speaker 4:It it's even more fucked up. They're like we're going to keep putting people in suits. We expect them to melt these suits.
Speaker 3:Man give me 23 seconds Give me 23 seconds so we can go right into that, I promise. So we get, this image says this is what we expected. We expected to see this woman's biological matter get rearranged into this larvae suit, and then it goes this is what we actually found, and it shows like this cocoon. That's just like the movie John. Lithgow yes, that one, it's a cocoon.
Speaker 5:He's like cocoon.
Speaker 3:It's Mothra's fucking cocoon. He's very clearly larvae. Now it's in its next stage. The next stage is actual fucking Mothra, and that is the last thing that we see of.
Speaker 5:that is the end of the man in the suit. God damn it. Can you find, can you yeah? So, before we go on, pink that was the link. Before we go on to what we thought of this, I want to touch on the creator. Just a smidge, yes, please. So the creator couldn't find a whole, whole heck of a lot of information on him, but what we did find was the creator has an alternate account, which seems to be their main account, called Rottbush Bush.
Speaker 3:Bush.
Speaker 5:It's at Rottparty on YouTube and they make a bunch of short videos on there. Hey, look at that, look at that cat. They make a bunch of short videos on their main channel, but it's a bunch of like dragon, go back up with us. Faradasa Sure, it's a bunch of dragons and music under that as well. So and there's a little bit of like video gameplay of Monster Hunter, so, and this person draws a lot of like animal stuff, which is pretty cool.
Speaker 5:You know it, animals are plenty here and there's like some Godzilla stuff on here as well. I'm assuming to tie over to the man in the suit Analog horror. But all in all, if this is their art, they're really good artists, which again would explain a lot of the the drawings from the Godzilla and the suit. The fact that they stayed away from AI. Yes and again like it's, the art in this has always been impressive to me. I fucking love the art in this analog horror.
Speaker 3:Yeah, I'll agree with that one. I mean the stick.
Speaker 4:But this is what is inside the that one? Yeah, that's that leaves some Stick figures on correct Inside.
Speaker 5:Part of me thinks that I see, I I considering I don't know enough about the, the creator. I should have done more research and I apologize that I didn't do that.
Speaker 3:Honestly, there's not. There's not a lot.
Speaker 5:I know, I don't know the creator enough to say if this is just like a Japanese person that doesn't know enough about like English translations or anything. Because we see in their about section here they say I like, I like wings of fire, home struck and other other other things, lol.
Speaker 3:And they say lol, l A W, l, which is just a that's like a 2003 goth chick, but it's not a thing in.
Speaker 5:Japan. It's not a Japanese.
Speaker 4:That's like an American. Well, I mean, if they're, if they're watching like American series, then I'm sure they've spent time on the like English Internet. And I feel like you couldn't have spent a lot of time on the English Internet without seeing.
Speaker 3:You, you say English Internet, and I I pictured a bunch of pretentious English like that time, right, like I, literally just that's what I picture I don't know.
Speaker 5:But everything, everything on everything on this is like there's no like grammatical errors or anything like that to this channel.
Speaker 3:So one of the things I did notice.
Speaker 1:Yeah.
Speaker 3:So if that, if that was faked and like put in there for just like.
Speaker 4:I'm telling you, it might be because of a lower perspective, though, because the entire premise of the analog horror is that you're right from America in Japan making this movie with. American because, he talks about how he's like I need to get out of Japan, but they're going to fucking arrest me and like, yeah, so that doesn't make sense from a lower perspective for the English to OK.
Speaker 5:Yeah, yeah, I should have done more research on the the author of this and, honestly, a lot there a lot, party or you know unknowingly, whichever account you're using. If you hear this like I, would love to get some more information on, you know, the loody pod at gmailcom.
Speaker 3:Yeah, let's try to set up another creator interview. It's been a minute.
Speaker 5:I don't even need an, we can do an interview. Sure, I just want to ask I just want to ask, like we do an interview. Sure, I don't care, I just want to get to know you a little bit more and how you came across this. Like I'm. I'm generally just curious. I would like to get a little bit more information on it.
Speaker 4:It's a good idea. I like the idea a lot.
Speaker 5:OK, so on that, on that, on that hey we're at the next part.
Speaker 3:We are, that's it on the creator.
Speaker 5:I couldn't find that much information on because unfortunately I didn't dig too much, but on that we've given you everything that we know about this, everything we know about that. Let's go into our opinions on this. So I'm going to start real quick. I want to start with Jason, because I feel like, out of all the three of us, I feel like you have the most to say and I have the most to say but on completely different levels.
Speaker 5:OK, you have the most to say. I feel, because I'm, you're an analog horror. I could stop, I could take her. Ok, and I have a lot to say because I'm a Godzilla fan, so I would let Jason start this off and I'll let you go, absolutely OK. Um, I've got a Jason, real or fake.
Speaker 3:The obviously real. Um, no, I've, I'm actually. I'm on the fence a little bit for two reasons, the first reason being, like this idea, like the concept of this enthralled me, like I love the idea of it's not a, it's not a, it's not a weird. It's not a weird thing that's happening here. Yeah, it's literally just somebody being not hygienic and now they're growing into a suit like he didn't bathe, and now he's got so much.
Speaker 4:So much smegma turned radio.
Speaker 3:And like that's, that's viable, like, ok, cool, you could make an argument there. Sure, on hygienic, yeah, I've seen the shit in surgery before. I've seen people who have grown in their socks before.
Speaker 4:Yeah, isn't there like a story about a guy or a lady who was like in a relationship and it was a toilet. They and like their whole thing was like they stayed on the toilet and their partner fed them for so long that they grew on. They grew around it, yeah.
Speaker 3:Yeah, which if your skin can. So if your porous skin can grow into non porous porcelain, that's you've been there too long Way too, fucking long.
Speaker 4:Yeah, yeah. Or I think what was actually happening is like they were just so large that their roles had like wrapped around the seat and then and we're starting to merge.
Speaker 3:Yep, yep. Their skin was becoming more skin. Yeah, 100 percent, 100 percent. Look at Mike. Do you see this? I don't like that. He hates this shit.
Speaker 5:But so.
Speaker 3:I like this idea a lot. Yeah, like the premise behind it was realistic for me enough to like actually kind of think about getting immersed and I think that if that immersion was held onto the entire way through, fucking awesome. Yeah, unfortunately it was not. It was not at all and it was posh.
Speaker 3:It was in the details, though it was in the details and like if I were an avid, avid, avid Godzilla fan, I'd be sucked in immediately. But as I've fucking learned today, I am not. Apparently I do like Godzilla, but apparently I know like 10 percent of the Godzilla lore.
Speaker 5:You're a dumb bitch.
Speaker 3:Well, I'm gonna have an episode where Mike just talks at us about Godzilla you should make a PowerPoint presentation. You should Please, but I will. I do have to Fucking, I have to say, if I can watch the first two videos in the series and the last video in the series, and I have almost a comprehensive overview of the whole series.
Speaker 3:That's not a good point that's not a that's not a selling point and like I wanted to like this so bad because the art is great Like and the concept of the story. But again, I watched the first two videos and the very three videos total and I understood the whole thing. That means you don't need the in between the first two videos are the same thing, Right yeah.
Speaker 5:It's the same story with two different monsters Is well that I'm okay with, because it adds like, like a this is a thing that keeps happening. Why does it keep happening?
Speaker 4:I'm okay with that because they keep hiring him because they keep shoving people in these radioactive suits Well.
Speaker 5:So the first video, they're like. At the second video they're like oh, he's acting weird, but I mean he's still an actor, let's get him on. Yeah, and then that's when it's like oh he bit a guy, turn him into a thing. Oh shit, that's when they should have like overhauled this.
Speaker 3:Let's hire him for a fourth time, but just keep going. Yeah, only this time. Yeah, no, I wanted to like it so very badly, especially because I know how you feel about Godzilla and I. I would love to see things through your eyes. However, I can't, I cannot say that I enjoyed this. I just can't. And it's simply. It's for stupid fucking reasons. It's for dumb little details that could have been better. Touch my hand. For stupid reasons. For stupid reasons. But no, it's like that. Or like the, the, the fucking American cameraman, yeah, and then Japan and all of the plot holes that came along with that. Like it's. It's those it for me.
Speaker 3:I'm a narrative person. I love a good narrative, so if the narrative isn't there, it pulls me out of it, and for me, it's those little plot holes that just built up and just took me right out of it. So I I liked the idea, I thought it was executed okay. I just think the story and the plot around the whole thing needed to be tightened up. That's it. That's it. So it's going to be a thumbs down from me, dog.
Speaker 1:That's a no for me, dog.
Speaker 5:Go ahead, moot Thala Mule, jay Simpson. Of course, mike, this last, I can go next, but I wanted your Moots opinion.
Speaker 3:I can go next, but I'm not gonna my opinion.
Speaker 4:My opinion is very similar.
Speaker 4:I think right off the bat, I enjoyed the idea of this. I thought, like I said before, that the description of like ripping the suit off and like the guy's skin coming with it and they're like aw shit, this dude's growing into this suit was pretty cool, I thought. Generally, I did like the concept of this. I thought that the execution was visually was okay and I think like the art style and stuff works for what you tried to do. But I don't understand why you did it this way and what I say about why I say that is like the entire premise of this being, I suppose, a slideshow that this person made to get the information about this out into the public like the medium doesn't make sense for the story to me. Because why, if you're this dude in the 50s and 60s who's working on these Godzilla movies and you've seen this crazy shit happening, why would you feel as though making this like film reel with dramatic timing and stuff in it as the most effective way to get this information out? That takes me out of it.
Speaker 5:It should have been like if you're gonna go to the film reel route like they did here, they should have been like hey, I was digging in my grandparents basement and my grandpa used to work for Toho isn't that awesome. You know, maybe I'll find some old like Godzilla trinkets or something down in the basement.
Speaker 4:Oh, it came across this old from your grandfather.
Speaker 5:Yeah, I came across this old, dusty film reel and it's like, instead of him being like the American, that's like trying to get this information out, it should have been Toho like documenting this and trying to hide it, and grandpa was a higher up in Doho and he was hiding this info.
Speaker 4:And this weird awkward middle ground between found footage and investigative report? That doesn't make any sense. It needs to be one or the other. It needs to either be accidental found footage of someone like rogue documenting this stuff, cloverfield, or it needs to be like presented in the style of an investigative report into this thing that happened.
Speaker 3:Dude that's what I'm saying. I agree with you so fucking hard.
Speaker 5:What is the style of this happening? Would be really cool, can you?
Speaker 3:imagine this story in Clover like film like Cloverfield?
Speaker 4:Yeah, that'd be fucking sick. I understand why they didn't choose to do that because there are technical limitations there, oh yeah 100%. Some YouTube creator who's just like doing this in their spare time probably doesn't have like the resources necessary to make something like that happen. I would watch that movie, though Somebody should give this person a movie deal and like hire them on as a creative director to make this into a proper found footage film.
Speaker 5:This would make a very cool found footage film.
Speaker 4:I would watch that Unknowable get at us Unknowingly. Let's unknowingly come on get at us, let's collaborate. We can, we can, we can, we got you.
Speaker 3:We'll be producing, we'll be producing for years. We'll make a movie.
Speaker 5:Is it, is it?
Speaker 4:Oh, go ahead sorry, yeah, ooh, I also didn't understand we've already covered why you would choose to do this from the perspective of an American living in Japan. Dude, yeah, if you, you have to know that, like I give you props, of course, for doing things in English and it's not bad. Most of the time it's technically, grammatically correct, which is great, and I'm not knocking you for that. I just think if, if you're gonna choose to do that, you either need to have someone who is a native speaker review your like translations before you put them out, because not only are there, like some, like grammatical errors and like mistranslations, but there are, straight up, just spelling mistakes.
Speaker 5:Which it it doesn't always have to be a bad thing, though. I will say, like the, the creator of CHSS is not a native English speaker and there are a few grammatical errors in CHSS, so it doesn't have to be. It's not necessarily a bad thing.
Speaker 1:What happens?
Speaker 5:occasionally but, what happens too often, right.
Speaker 4:I wouldn't care if the entire premise of the thing wasn't that this is an American filmmaker releasing this information, but it is. But yeah, so choose one or the other.
Speaker 3:Either either make the- it's about a person who speaks English as a native fucking language, and here we are getting a story that doesn't have that.
Speaker 4:Right, so it's one or the other Like change the perspective, yes, or or, I don't know. You give what I'm saying.
Speaker 3:I'm knowingly, if you're listening to this. I really hope that you're you're taking this as like notes and not like just straight up, go funk your side, like I said.
Speaker 4:I think this is a creative thing that you did. That's mostly done very well. These are just my yeah. The other thing is like and now we're just getting into my nickpicks about analog horror in general. Everybody knows I'm an asshole, asshole, that analog horror creators we know this. We've established this at this point Analog horrors are my AR or Mike's ARG.
Speaker 5:for me, yeah, we've got a percent.
Speaker 4:Everybody knows this.
Speaker 5:I don't like ARGs.
Speaker 4:It does the ARG thing. Why, if this is a-.
Speaker 5:Yeah, can I just get that? And now I'm getting excited why? And now I'm getting excited.
Speaker 1:Dude get loud get loud Fucking go.
Speaker 4:Why if this is a presentation or found footage, either one, why are there glitches in the dramatic moments of the real? Who went back and added those and what and what?
Speaker 1:So we didn't touch on that, so we didn't touch on that and this informational piece.
Speaker 5:We also never touched on the weird ARG ARG, arg thing.
Speaker 4:There's no more explanation for it either Cause like if there's glitches when something paranormal is happening and a VHS tape, it makes sense.
Speaker 3:Cool, the electromagnetic fields Awesome. It makes sense. There we go.
Speaker 4:There's no reason for these.
Speaker 5:Also, we were making that random weird noise. We were making that random weird noise before.
Speaker 2:It's in the first video at the end, where they're like this is what God, the guy in the suit should look like.
Speaker 3:This is what it looks like now.
Speaker 5:They like cut off the Godzilla roar yeah. And so he's just going.
Speaker 4:Er, er er er, er er er over and over, and it's so goofy, and that's why we kept doing it, and that's there's a part of the ones. There's videos, too, where, like I don't know, there's speech or ambiance, that's happening, but it just starts looping and it's just like er er er, er, er, er, er, er, er, yeah yeah, yeah. And I couldn't help but laugh.
Speaker 5:Yep, I think that's part of the Godzilla theme song.
Speaker 3:No, I'm pretty sure every piece of media from this, aside from like obviously the text is ripped from different Godzilla movies and that's oh yeah, that like for me anyway that's a plus.
Speaker 4:I thought that was fun. I didn't ever probably have that at all. That's a pro for me. I thought your media selections were very good.
Speaker 5:Very good, you made very good use of existing footage. I thought that was really cool. Yes, 100%.
Speaker 3:Absolutely no, like I what else?
Speaker 4:you got Booty. That is the last thing I was gonna say, which is I think you took what was available to you, like you selectively went through a very extensive catalog of Godzilla media and edited it in a way that, like, puts together a comprehensive piece that I think is very well done from that perspective, and kudos to you for that, I'm done, I'm done, I'm done.
Speaker 1:Hey Mike. Mike, how do you feel about this?
Speaker 5:So I'm a bit more what's the word I'm looking for? Lienient on analog horrors than Moot is. But I'm not on ARGs, like Moot said. Like what I think of ARGs is what Moot thinks of analog horrors. We are the opposite side of the coin. So I am not as like, like critical of this as you guys might be. I agree with you guys like on a lot of things I do. I think the idea for this is fan-fucking-tastic.
Speaker 4:Well, I think we both agree with that.
Speaker 5:Yeah, like you could have just made a shitty analog horror of just Godzilla attacking a city and or a giant monster attacking a city, but no, you chose something creative.
Speaker 5:I didn't expect the direction when I saw it yeah exactly what if the Godzilla actor fused with the suit Like that? I don't. I did not see that coming Like that is genius, if you ask me, like a very awesome plot point and like you guys mentioned. I'm gonna repeat a bunch of things you guys did, but I think along the way we just kind of lost track of it. Like Matt said, the footage you used fantastic. The editing like again a bit dramatic for what? The plot?
Speaker 5:was going for but it was done pretty well. It was done really well, just too, like you went the soap opera route, which again, I can't tell if a lot of this was on purpose or not, to be campy like the old Godzilla movies were or not. And if it was, if all this was done on purpose to be campy and like the, you know the English, was you do?
Speaker 1:look bad yeah I do love camp, but I think the English was done poorly on purpose to be like the old.
Speaker 3:Godzilla dubs. That's what I think.
Speaker 5:If a lot of this was done on purpose and it's just going over a lot of people's heads like good for you, man, that's awesome.
Speaker 3:but If it's going over a lot of people's, maybe we're stupid.
Speaker 4:I am. We are stupid.
Speaker 3:Yes but I will say, if it's going over everybody's heads, though that's not an honest problem. You know what I mean. Like it's always it is always Skill issue.
Speaker 1:It is always, always, always.
Speaker 3:The responsibility of the message center, no, but.
Speaker 5:Yeah, no, I liked the core concept. Like I think the core concept is fucking brilliant, Like Matt said, like if this was a, If you took this and made it like a found footage movie of the core concept Dude yeah, Cloverfield Godzilla Awesome, that should be great. Yeah, I'm all over it. That should be great, but there's too many of just like things left up in the air.
Speaker 4:that shouldn't be especially, just like. Yeah, it doesn't really explain me the radiation correctly.
Speaker 1:No, that's the thing.
Speaker 3:They never explain that.
Speaker 5:You're supposed to feel like a satisfying ending to an analog horror, and maybe this isn't the ending. We'll see, but if this is the ending, I don't feel satisfied because Honestly I hope it is.
Speaker 4:I have to assume that the radiation has something to do with the bomb, but I don't know why it specifically manifests with these suits unless these suits are made out of radioactive material.
Speaker 3:So, oh, so, so these are the stories from post-Hiroshima Nagasaki.
Speaker 5:I don't know, but we keep talking about that. We brought that up a bunch, whereas the radiation is this. The radiation is this, but the radiation is only brought up once in this entire thing. The reason that the suit melds with this guy is never actually fully said. We don't get that origin.
Speaker 4:It's not even just that Like throw this entire thing, all these suits, meld with all these people. Why?
Speaker 5:Right, right, well, so I understand, and that's the thing that confuses me. Well, the thing it doesn't confuse me, like why it keeps happening, because he's like, oh, the Godzilla bit the angriest guy and the angriest guy morphed, so the Godzilla guy is transferring something to these people.
Speaker 5:It's like vampire radiation, it's like a disease or like a vampirism, something like that. But it doesn't explain what the origin is, and I think that's what the big fault is here that you have this interesting story, but I don't understand the concept at its Now. I don't understand it. I don't understand the origin of what's happening. I just get left with more questions than answers.
Speaker 3:I will say the more details you add to something like this, the more questions you have I don't even Like, but no, no, no like what you said, like you're left with more questions than answers, right, yeah? So let's pretend this creator tried to answer those questions that now you now have. Would you be left with even more questions, or would you feel so?
Speaker 4:I think all they would have to do is sum this up is just give us a receipt of the materials that they use to make these suits.
Speaker 5:Yeah, so.
Speaker 4:So it came from like a radioactive quarry or something.
Speaker 5:So I was just about to say, I was just literally about to say, so what you could do is, if you wanted to continue this, this is how I would do it, and hear me out.
Speaker 1:Oh my God, so hear me out.
Speaker 5:So, how I mentioned before, where, if you want to continue this, you keep going through the eras of Godzilla. You have, like the Hese, the Shisui, the All the different eras of Godzilla. They all have different costumes. So you're like, oh, you know, they keep making different versions of Godzilla costumes to Maybe this version won't get contaminated and the outcome won't happen. Oh, it happened again. Maybe we'll try it again. Oh, it happened again. Shit, why does this keep happening?
Speaker 5:See it turns out, the manufacturer of the spandex or the fabric that they use in the suits comes from like a part of Japan where there's like a big uranium deposit or like they're building it from like a nuclear site that they didn't realize or something.
Speaker 3:Yeah, they didn't realize, like some historic I know.
Speaker 1:I understand the Shui-O-Houzushi from Russia.
Speaker 3:Yeah, I understand that it's from the 80s versus the 50s, but, but I don't.
Speaker 5:I don't.
Speaker 4:Either way. What I mean is the bombs somehow, but I don't know how it is Exactly, but tie that in more.
Speaker 3:Give us more on that.
Speaker 4:It sounded like from the one video that this is intentional somehow, like this guy is trying to create, literally create Godzilla, to try to get back at the Americans, because the guy gets mad at Americans, but build on that.
Speaker 1:They don't build on that.
Speaker 4:Yeah, they don't further explain that how this guy did it, who it is, or.
Speaker 3:Yeah.
Speaker 4:I do like the idea though.
Speaker 3:Matt.
Speaker 5:But, that they should not have made this a like slideshow-esque thing, like we're doing, unless you're gonna. Powerpoint. Yeah, I would not have done that unless you started off like. I found these tapes in my grandpa's basement. He worked at Toho. You're not cool and this is just shit. That Toho was trying to cover up, that this guy found and put on YouTube. Like you should have made it a real thing here. I uploaded this to YouTube because I found it in my grandpa's basement.
Speaker 4:He worked for Toho.
Speaker 5:Yeah, please make this more tropey. Make it, yeah, make it, but that would have worked better though, yeah, yeah. Yeah, you're right, the trope would have worked better here. The message would have yeah, it would have.
Speaker 3:Yeah, honestly, like A lot of fantastic ideas. I was gonna say something here, but I forgot.
Speaker 5:I yeah, a lot of fantastic ideas. I agree with you guys where there's a lot going on here. I think we just got lost in the muck.
Speaker 4:I would love to see you got lost in the analog whore of it all.
Speaker 5:Yeah, I would love to see a continuation of this, but with maybe a little bit more.
Speaker 3:God got lost in the same whore, just a little bit more thought into it.
Speaker 5:Like I feel like this guy was like I have this great idea for Godzilla. Like he gets stuck in the suit, I'll make it a generic ARG. Build your own kind of thing off of it. Like you have a lot of potential here and it's a fantastic. Yes, you have fantastic art. Like you make fantastic fucking art. Keep that up. Keep making your own thing. You don't have to abide by Work on story though. You don't have to abide by the generic analog whore themes and tropes, build your own.
Speaker 3:No, please, guys, don't, please don't do the local 58 bullshit.
Speaker 5:This is deserving of its own shit, and you can feel it If you lean too hard into the tropes, though this is just gonna be Five Nights at Freddy's, yeah pretty well, yeah, right. But yeah, I will say.
Speaker 1:I will give this.
Speaker 5:Or that movie Puka Puka yeah.
Speaker 2:Oh shit, yeah, oh shit.
Speaker 5:yeah, it was a car the whole time. Um, yeah, I don't know. I enjoyed it. There are parts I did not like, but overall I enjoyed it, just because I saw the potential. There's a lot of potential.
Speaker 1:It is Do it.
Speaker 4:Great, good idea.
Speaker 1:It's a oh yeah.
Speaker 5:Fantastic idea. I don't think YouTube is the medium for it. That's it.
Speaker 4:This could have been a creepypasta A to-be original.
Speaker 3:Yes.
Speaker 5:Oh, yeah, that would have been cool.
Speaker 3:It's simply because, like, who the fuck is compiling this? Why is this being posted to YouTube and that's? If you can't answer that question, don't make the fucking analog.
Speaker 5:I'll answer you this question when should you go to find all our information?
Speaker 3:Just search Deloody at Google.
Speaker 5:Honestly, Don't look on the Internet. Don't look on the Internet.
Speaker 3:Go to fucking Patreon Deloodycom At Deloodycom.
Speaker 5:At Deloodycom. What Deloodycom? Become a member on Deloodycom? Obviously you can get 10% off merch. You can get exclusive Deloodycom merchandise like the coffee mug that is in Boots. The penis and penis, the penis and penis mug.
Speaker 2:Patreoncom I would focus on that it's also there as well.
Speaker 5:Hell yeah, not you, though. You're not as important as the mug, that's true. Patreoncom, deloodycom it's also there. You could chuck in something or nothing. That is completely up to you. You can find us on all of our socials everywhere At Deloodycom, on Twitter, facebook, instagram. What it's Twitter? It's Twitter. It's not access Twitter. You can find us on YouTube, at youtubecom, at DeloodyPod or just Google. Look up, don't look on the Internet, on YouTube or there too. You can go to our Gmail Enquiries At Gmailcom oh yeah, deloodypod. At Gmailcom for inquiries, enquiries, enquiries, yes, enquiries, enquiries. You pronounce the word Depends on what part of Scotland you're from.
Speaker 5:I will tell you all if you go into a rubber suit if you will, and there are rubber teeth in that suit, pluck them all out, because you are going to become a part of that rubber suit then your teeth are going to form in the mouth of that rubber suit, oh yeah, and you're going to have a whole new Brings up.
Speaker 4:Do we have what at Alice or Summer?
Speaker 5:Where's?
Speaker 4:that at.
Speaker 5:Doug's house? Oh, we don't, that's at Doug's house, that is at Doug's house.
Speaker 3:We forgot.
Speaker 1:We also forgot.
Speaker 3:God damn it, hey next time that we are all together, including Doug, and we have access to what at Alice or Summer. We are just writing a whole fucking page. Yes, because A two reasons, one being there will be no coherence if we do one sentence every week, so I think we need to change that a bit. But also we have been very bad at this. So let's just let's get a fucking concept down and let's start writing.
Speaker 5:Yeah, Anyway, but DeloodyPod at Gmailcom Unknowingly. Please reach out to me. I have some questions I would love to have answers to. All in all, I hope you understand we're not bashing you.
Speaker 2:No, what no?
Speaker 5:We always do this. We give our stupid ass criticisms. We're a bunch of dinguses.
Speaker 2:The only person here that has any type of we're not.
Speaker 5:Yeah, the only person here that has any type of experience is Moot.
Speaker 4:So he's the only authority on this. I don't know what I'm doing. I made one thing and then I ended up on a podcast and I still don't know what I'm doing. I am indiscriminately an asshole to all analog-core creators, so please don't think first.
Speaker 5:Yeah but all in all, we may criticize it, but we come from a place of love To me. I criticize this as much as I did creature creations.
Speaker 3:You criticize the things you love.
Speaker 5:This, to me, was the same as creature creations A lot of potential, collection, collection, sorry, a lot of potential.
Speaker 3:So good you remember the name.
Speaker 5:Yeah, a lot of potential. Go add it a different way, but reach out to us. I would love to pick your brain a little bit, please. Thank you. I think we've already got to say the beautiful people.
Speaker 3:As fucking always stay paranoid. Now is a good time as ever to get into some Godzilla bullshit, because we have a ton of new Godzilla coming out, we're eating fam. Oh yeah, godzilla fans are eating. So if you have not gotten into it and you kind of want to understand the lore, I would implore you to do so, because it's actually pretty fascinating. If you like stories, you like Japanese culture, if you like a lot of stereotypes, unfortunately, but go just look up the history of Godzilla. It's honestly a fascinating fucking story.
Speaker 5:And then we can talk Godzilla.
Speaker 3:Oh yeah, then we can talk with Mike about it. Go watch this from the back and you can kind of see a different take on it.
Speaker 5:He says the best era. I said it.
Speaker 4:He said it, I said it.
Speaker 3:Matt, what do you got?
Speaker 4:I am a man in a Godzilla suit.
Speaker 5:I am a man in constant sorrow. I was trying to do an Allison change.
Speaker 3:Allison change. Man of the box. I was somewhere else.
Speaker 4:I was buried in my radioactive material.
Speaker 3:I don't know Too many syllables.
Speaker 5:Can we just have Imagine Dragons playing in the background this entire episode?
Speaker 4:Real active Ash and Dose. I don't know I tried to make a thing. It didn't work. Jason, I thought it worked very well.
Speaker 3:The answers no, we can't have that happen, unfortunately, mike, are we done?
Speaker 5:Oh, I thought Moe was still going Cool.
Speaker 3:Yes, we're done.
Speaker 5:He stopped talking, didn't you hear him? Dope, have a blessed day everyone. May Christ be with you.
Speaker 3:May Chrissy be with you.
Speaker 5:May Chrissy be with you. My Aunt Chrissy, may she be with you. May she be with you. Bye everybody. No, bye everyone. We love you, bye everybody, we love you.
Speaker 3:Bye everybody.
Speaker 2:Hi, my name is Kay. I left a voice number before, but it was not expecting this number to actually work, so it ended up turning out really bad. But I just want to say that I've looked forever for a podcast that covers this kind of internet horror stuff, and when I tell you I was so overjoyed to have found the Don't Look Under the Internet podcast that's it Overjoyed is an understatement. I have been listening to this podcast for the past six weeks. I have listened to almost every episode. I am very invested in this internet stuff too, but I just want to say that I love your content and keep finishing it out, because I love it. I think you guys are so funny, even though some jokes are a little questionable. I think everyone needs some questionable comedy in their lives. That's pretty much it. I just want to say that I love your content and I hope you guys can keep making more. Stay fucking paranoid. Stay paranoid, as always. And, yeah, I see. So much for making this kind of content. Have an amazing day, bye.