Don't Look Under the Internet
Don't Look Under the Internet
DLUTI 206 - Mike Does A Ningen
Hello it me Mike. Am by myself. Also edited this. Me not good at editing. Me bad at computer. Please forgive. Better content soon! xoxo gossip girl
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all right bet, all right chat. So, what's up everybody? Um, how you doing? How you doing? Um, welcome to don't look under the internet. Um, I'm gonna just do this real quick. I'm gonna do this real quick. Oh crap, I can't do that real quick. Yeah, boy, boy, howdy, let me tell you, I'll tell you what. All right, we're gonna go with this, okay, and share my screen here. What's up everyone? Welcome to don't look under the internet. It's your boy here doing the thing, kind of solo, fucking weird. No cam today. Yeah, unfortunately no cam today because my cam is on Twitch. So if you want to see my beautiful, voluptuous face, just watch the stream on Twitch. Faces on Twitch. So here's the ding dang dilly. Y'all the ding dang dilly.
Speaker 1:First and foremost, this week's recording schedule did not work out well at all for, like anyone, um, so this is gonna be a very relaxed uh evening today. Um, so it is just me, your old pal, your old pep pops, your, your pep pops. Michael, I'm doingp pops. Michael, I'm doing it alone. I'm raw dog and diluted, I'm dog, loony man. Um, yeah, the this recording. Just it did not line up with, um, it didn't line up with, uh, matt's schedule, didn't line up with Doug's schedule. Jason's a little ill. Um, and I I really we weren't prepared. Um, a lot of it came short notice, unfortunately. So when it came down to it, it was pretty much um, actually I should be recording this. That's a spot to start recording. Why the fuck not? Um, yeah, well, I'm goingudy, I'm by myself just for this, this recording all right, now that everyone's all caught up. Yeah, the schedules just didn't really line up. Um, we had a couple plans for um, this episode of the next, but it kind of fell through when three-fourths of the cast couldn't be here.
Speaker 1:Uh, so I decided, instead of just not recording today, because I still wanted to put out a little something. We think we're going to be able to get at least Jason on with me on Friday. We should be doing that. So be on the lookout for a Friday stream as well. But in the meantime, I thought I'd be a little bold, I thought I'd be a little crazy and I figured why don't I just fucking record by myself? Because I'm a big boy, I'm 32. I don't need to talk to other people. But seriously, discord chat, keep me entertained. I need it. So I had an idea for a topic, so I haven't. I had an idea for a topic.
Speaker 1:Um, I wanted to talk about this one for a bit, but it was. I always felt it was too small, too short to have all four of us talk about. Um, it's, it's I don't know how to pronounce it the, the, the, the ninjin, the, the ningen, I don't know how to pronounce it, uh, but it's one of, uh, manticores, uh, uh, other like analog horrors, which, for those of you that don't know, manticore is the guy that, it's Alex Kanasis, the guy that made fucking Monument Mythos. So shouts out to Ken Jablomi, beer looks very nice today, well-groomed. It is, in fact, not well-groomed, it actually looks very awful and I need to groom it, but I appreciate that Nonetheless. Uh, that's cause you're looking at a 10 ADP camera, not 4k, so, but, um, yeah, I, I've, I wanted to cover this one cause I thought it was pretty, uh, pretty interesting.
Speaker 1:Um, but again, it's, it's so short, it's it's three videos, three 10 minute videos, and I was like that is not enough for the entire team to to cover. So, since it's just me and the entire team's gone, fuck it. Why don't I just talk about it? And we can talk about what I think of it afterwards. You know, I also have some other stuff we could talk about too, if we really wanted to. I have loads of things to talk about loads too, if we really wanted to, I have loads of things to talk about Loads.
Speaker 1:So let's kind of get into it. So what I'm going to do is basically I'm just going to kind of let the videos play as I kind of talk about them and I hope to God, the copyright gods are smiling on me. We're going to find out. I hope this comes under play of, like, what's the word I'm looking for? What's the word I'm looking for? Commentary? I suppose we're going to see, but I don't know. Oh fuck, kenja, blow me. Y'all. See that. God. What did I fuck up? I'm just going to keep the streaming going on my phone too, so I can see what happens. But anyway, let's get into this.
Speaker 1:Um, the topic tonight is, uh, the ninjin, uh mantid core, analog horror. Let's get into it. So I'm gonna play it. So there's not gonna be any audio to it. I'm gonna keep the audio off. I'm just gonna let it kind of ride in the background as you look and talk to me.
Speaker 1:Um, so we start off with this here. This is the first video. It's called the 1990 sighting and essentially we start off with this like graphics, um, from this japanese company called the japanese office for human studies, and the graphic kind of looks like like a person, but like kind of cosmic ish, like staticky, if that makes sense, um, and then we go on to discover that in 1990 there was an international trans antarctic expedition that took place with um, one of the members of the team being a man named kaizo uh funatsu. Um kaizo is, I would say, our main character in this, we, we, we get more of his story than anyone else's in this um, this whole expedition, um, but we're shown some video here and again I'm putting up on screen show, some video of the um, antarctica peninsula, um, and the quote, quote first human sighting, um, um, we get multiple like still frames of this odd-looking creature.
Speaker 1:I like to say it looks like a giant, I don't know how else to describe it. It's like a lump with legs, like picture in your brain, picture like a light bulb, like that shape, and then at the end the little twisty bit just put two legs, like that's kind of the shape. This, this thing is Um, it's got the kind of those, those proportions. This is a thick boy but scrawny legs. Um, built like me. I got a tummy, uh, but my legs are straws.
Speaker 1:So we get this message that pops up on the screen and it says in order, are we their warm children? Pops up on the screen and it says in order, are we their warm children? Hell is real and it's cold. And then you also get what will happen when it's warm Spooky stuff. You know what will happen when it's warm. Al Gore has been trying to warn us about what will happen when it gets warm for so long. Finally, finally, kaizo Funatsu is talking about it. You know, took long enough. So kaiser describes what he sees as humans, um, which is very odd, because I would have described this thing as a human. Like I said before, I describe it as a light bulb with legs. Um.
Speaker 1:We are then shown this map of what the 1990 expedition um was and just how insane it was. They traversed literally the entire antarctic, I think they mentioned later. It's like 4 000 miles or something that they traversed from like 1980. It's like a year, like 1989, like 1990 or something. Um, when we are, uh, we're being shown this video and then, right after it. We get video of kaiser, uh, kaizo's son, hugo, and hugo is reading from, I'm assuming, kaizo's diary or his like scientific journal or something, and he's got like this, like it's like projected, like this background was like projected on him.
Speaker 1:It's very weird, um, but um, in his diary, hugo shares the story of his father and how one day, during their trip, their expedition, they got about 16 miles miles from the Russian camp that they were trying to get to. He's tending to his snow dogs, feeding them, you know, make sure they have water, all that good stuff. When he goes, he turns around and he tries to get back to his base, his camp. He turns around, he sees nothing. He's like, oh well, that's not good. Goes to turn around again and, uh, his dogs are gone. So it's at this point he's like, fuck, I think I'm in some real deep stew now.
Speaker 1:And so it's at this point kaizo realizes that he is in a blizzard, um, he can't see anything around him. Um, he tries to make his way back but he can't find his camp. He mentions that he even, uh, uses this like pair of pliers that he has, um to dig a small trench, like a small hole, where he's just gonna basically hunker down. He talks about how he uh spent hours digging this tiny hole. He's like, well, this isn't going to do Um, and he, he talks about how he's bunched down into this, this hole, and he even mentioned something along the lines of like, um, because of the cold and the wind, his, his snowsuit is like gripping his skin.
Speaker 1:It's so cold and I'm like that sounds miserable. I hate the heat. I would much prefer the cold over the heat. I'm just going to say it. But like, not like, not this, not this, not this at all. Um.
Speaker 1:So it seems like hours have gone by and he's hunkered down, basically lost in this blizzard, and he hears his name. He hears Kaizo Kaizo, kaizo, kaizo. While he hears his name, he's also contemplating to himself about how like small he is compared to nature. He's really taking in everything. Like he's in an area where he should be like scared about what's going on. They might die, but he's like I'm a speck in all this, like I'm nothing compared to nature. Um, I'm nothing compared to antarctica. Like the cold, I feel is just that's just, that's just the nature, and if I die, I die. But then he's like I don't want to die, can't die because the expedition damn it. And that's when he hears his name. He's like kaizo, kaizo, kaizo, um. He responds with I'm here, I'm here. And uh, the voice then says I see you, kaizo.
Speaker 1:That's when kaizo, uh, kaizo describes that he saw a man basically cut through this blizzard, but this man wasn't anyone from his camp. He didn't recognize this person. He couldn't even describe the person. He couldn't describe what they looked like. All he could say is that it was human, but he couldn't say anything else. He gets frightened. Obviously I would too, have just some rando just walked out of nowhere, um, and you know was saying my name, no, thank you. Um. So he runs away, to which he, you know, comes across his team who was searching for him through the blizzard. Um, the blizzard fades out and we kind of hear um, let me see if I can get this going. The blizzard fades out and, uh, you know his team is like oh, we found you, thank goodness we found you.
Speaker 1:Um, it is at this time that a recorder pops up on screen and this is the recorder that kaizo had on him. There is a recording on here of kaizo hearing the voice calling out to him, and it sounds much creepier than what I made it sound like. It's like kaizo, kaizo. I hear you, kaizo, very just, odd voice. Um, that that's it for kael's story so far.
Speaker 1:We end this video on a message in this woman's voice stating that the expedition team completed the first ever trans antarctic expedition, traveling more than 4 000 miles in seven months. I said it, boom. Um. All this was led by a man named will steger. Um, they did this at what I would say is like the perfect time. Uh, because apparently, according to this lady, it is impossible to do this run today.
Speaker 1:Apparently, dogs have been banned from Antarctica, which, okay, I don't know how you can just ban the concept of. I don't know how you just ban dogs from a fucking whole continent. But here we are, um, and apparently two of the ice shelves have straight up disappeared. Um. We then have a fading of the word Ningen or Ningen again, I don't know how to say it. Um, which is the Japanese word for human. Um, and that's the first video. Um ends on a pretty creepy note. I would say so myself. Um, the second video again, putting it on screeny peeny here. Um, the second video again.
Speaker 1:Is we open on a new logo from the japanese office of human studies. This one looks like a whale tail coming out of the water and it's got the space behind it and everything. I think space is a theme here. I'm just saying uh, because last one's kind of like a cosmicky looking dude. This one's got space in the background, um, but whatever, uh, we are shown this like imagery of a skull and it's going through like what the labels of everything are, and it says that the eyes are called the orbit, the nose is the nasal cavity. That makes sense. There's the maxilla and the mandible I'm pointing to them, if you're watching me Along with a spine and something they call the spinous reversal.
Speaker 1:It's very weird, you know. I'm going to Actually, because I'm going fast AF, let's speed this bad boy up a smidge. Dig do bop, bop, bop. So, uh, we're then told that this skeleton is very primitive and easy to evade. Um, we keep panning down through the skeleton and we're seeing more and more of it as we go. Um, the feet are basically like they're large, they look like snowshoes. It even says they look like snowshoes. Um, this thing is now called a friendly human as well.
Speaker 1:This shape is odd as hell. Um, you get like this panned out, look of it, and it's basically just this very long spine like neck that attached the skull and has, like this very small torso. Um, the arm and the leg bones seem to be kind of like fused, fused together, which is quite odd. Um, oh, it skipped it because it was going too fast. This episode's going great, I bet, isn't it guys? Um, but it's, it's very creepy. I don't like it. Um, I don't like it one bit.
Speaker 1:Like you can see, look at that thing, look at that thing, motherfuckers, ugly as hell. It's basically, like I said, this thing is. The anatomy of it is like a very long spine Like, and the spine is like its neck. It's very like. It's a very long spine-like neck that attached to the skull and then to a very small torso, and it looks like the arm and the leg bones have been kind of fused together to form like two giant pairs of feet, or at least that's what I'm getting out of it. Um, but I don't know, I could be wrong on that one, uh, but that's what it looks like to me, because you're not, you don't see hands and feet, you just see the one, but you get to get kind of like the legs and the arms that kind of morph into this, these giant toes.
Speaker 1:Um, we are then told that these illustrations that we got are from, uh, cave paintings that predate icarus by 11 000 years. Icarus, I'm assuming, is that they're talking about the story of icarus, which has a theme here. But we're told this old story through these cave paintings that we found. Essentially, the story goes like this One day, these humans on a mountain find this strange corpse. One of the humans go to the edge of the mountain. They're basically longing for the sea. A whale shows up and the whale asks you know, are you planning on jumping? Are you going to jump? Planning on jumping, are you gonna jump? To which the human basically says no, but I am envious of your tail, my legs trap me on this mountain.
Speaker 1:It's kind of at this point that you notice that the whale painting looks kind of like the human painting, but just kind of curved a little bit. So for those of you at that are just listening to the audio, it'd be a little hard to describe. You guys seeing, seeing it, you can see the vision, you know. So it's basically the human is basically like a stick figure, but without the arms, and the whale is similar to that, except the the like neck, and the body portion is kind of like a candy cane shape and the legs are just sticking at the bottom of it. So the human character notices this and just kind of reshapes himself to become a whale. It shows him folding his arms up and then's just like a magically a whale. He goes into the sea with the whale.
Speaker 1:The whale at this point is stunned and after a moment the whale says follow me. And it takes the human to an edge of a cliff where the whale says I too wish to go beyond. And they see a creature at the bottom of this cliff, much like the human saw the whale and it kind of looks like a rocket ship. It looks like straight up it looks like a rocket ship. I can't even describe it other than that. But the whale and the human have an idea. They notice that they can probably form together to make this same shape, much like the human did to see the whale. And so they do that. So the rocket looks at them and is just like oh shit, damn, I didn't know y'all could do that. So the rock says follow me, I too wish to go beyond. And so at this point. Our thing decides to like I call it our thing our like shape, our rocket shape, jumps from the cliff.
Speaker 1:We were then greeted with a very similar or very uh uh, familiar sight. We're greeted with seeing the whale human thing dead on the top of a mountain. It is in the same position as the strange corpse we saw in the beginning of all this too. This corpse is named icarus one interesting, huh? Ah, I love me some cherry coke. So we then we then get this like footage of. It's a video of something that we call Icarus II, which is, quote-unquote, a living human.
Speaker 1:Now, the anatomy of this creature is broken down to what I would say is basically a mermaid. It's difficult to see at first. That's kind of like um, I would describe it as you know, those like deep sea videos when they're like oh, we got a video of a giant squid on tape and it's like that. It's like the camera, that's like leagues, leagues below sea. You know, it kind of looks like that. It shows us like thing. It's kind of like floating through. It's got real long arms, it's got the fish tail, um, it's. It's essentially like a fucked up looking mermaid.
Speaker 1:Um, this is theorized to kind of be the second stage of this thing's evolution, this icarus, I guess you can call it now, since we named the first one one, and this is icarus too. Um, so it to me it seems like the first one is a land-based version. Um, because it's got them big ass feet. Uh, this one seems like a, uh, ocean version. So that leads me to question something what's going on in the air, dog and and right, as the video itself is even like, hmm, stage one, stage two, and then bam, it's like stage three. Shit's getting fucked up, dude, everything kind of gets a little fucked up and everything kind of gets flipped on its head now.
Speaker 1:So we flash cut to Kaizo's son. He's reading from another journal. He's very sporadic and he sounds basically fearful and he mentions how this thing that they saw is a stain on their minds. Its gaze could be felt on all of them. It was impossible and beautiful at the same time. We get these flash cuts of this thing floating in the air and it's it kind of looks like a worm, kind of like an eel, I would say like floating around. All the photos are like blurry and it's hard to see the Soviet ship, that there's a Soviet ship being referenced here, named Professor Zubov, and he's reading out the journal. He says the Soviet ship pulled them from its view, but the damage was done. Um, we then get imagery of the ship with the soviet word, russian word, seralic, I don't fucking know um written on it and it's the word for help. Uh, we get another illustration of what was found, or an illustration of what happened on that boat. Um, and this illustration shows this like large, worm-like creature with tendrils coming like out of its head. It's grabbing at members of the crew and one member is in the background grabbing an axe ready to like chop it up, I assume. Um.
Speaker 1:We then end everything on a um audio from a man giving this like speech and he states that scientists have run tests on locomotion, or how much energy it takes for something to go from point A to point B. Um, he's like oh, we just want to figure this shit out. How long would it take, um, you know when? When, given the same test among a bunch of animals? Shit out, how long would it take, um, you know when, given the same test among a bunch of animals? Um, how long would it take a fish to go from point a to point b, compared to a squirrel, you know they would be on the same course. So after a bunch of tests, they found out that the condor. The condor was the most efficient, uh, animal at this locomotion test. Man was way down that list in like a fucked up way. They're just like man.
Speaker 1:This is, this sucks, like we suck. And um, it's at this point where the speaker says um, you know, man didn't test so good, we're not very efficient, but if you give man a bike, he doubles the efficiency of the condor. He's like. This shows the testament of man. This shows the power of man to build tools for any situation as it is in to, to be able to adapt to any scenario. That's the power of man. And then the word human pops up on on uh, on the, the, the screen, and human is the English word for you, apparently. So that's the end of video two. We got one more video to go, and you know what? It's one of my favorite ones. I like this last video.
Speaker 1:So, um, I'm cleaning my glasses, so I'm stalling a little bit, but like, uh, alex, uh, manticore, alex canasses, what do you want to call him? Uh, he has so many analog horrors and you know he does one thing that I really enjoy he's got an art style and it's prevalent in. It's prevalent in everything he does, and I really I appreciate that because to me, when, when you keep the same art style throughout multiple mediums or multiple stories, I feel like I'm watching a comic book, if that makes sense. Books like um, uh, todd mcfarland, for example, um, he'll do, he did spawn, he did a spider-man run. Um, he, he's done a bunch of, uh, a bunch of shit. Um, I, I want to say he's, he's done a I I want to say he's done a captain america run. I might be wrong on that, I don't know. Um, rob life, you'll love him or hate him, but he's got such a unique art style and you see it fucking everywhere. Um, and I, I like that because I like seeing this here, because it makes me feel like I'm watching a comic book with the art style that probably don't make much sense, but I also don't give a fuck. Um.
Speaker 1:On to video three. This one is called the 1992 Ship Analysis. They're my favorite one. So here we go again. We're back at it with the Human Studies, the Human Studies Office, javadis' Office of Human Studies, which I'm starting to think. I'm starting to think they're not talking about us. I think they're talking about other things. So there's a new logo. It seems like there's a new logo every every time these motherfuckers are going through so many rebrands.
Speaker 1:Um, it looks like it's like a ship's broadside or something I couldn't tell, um, so, uh, hugo kaizo's son is narrating again, um, and he's uh narrates that the ship came back with the words help written on it, um. The diary then goes into more detail, basically saying how the person I was writing this, kaizo um, removed his eyes so he could not see the truth. He also mentions that no person could have written the words on the ship. He's like, they're too high up, you know, and I'm not, I'm not about to brisk pass this seems to me that kaiser ripped his fucking eyes out, um, so he wouldn't see this thing. Uh, it's fucked up, uh, but anyway. So he's like no crew member could have written this on there. You know, it's in, it's too big, the places couldn't be reached by them, and I and this it's not made of spray paint. That he specifically says like, um, paint does not turn a dull Brown when dried. So, uh, and that tells you. This is basically written in blood, which is pretty creepy. He even says that it doesn't even say help in the way that we think it does. It doesn't say help as in a verb like help us, help us, but more like a noun, like for assistance or aid, kind of like I'm the help in an essence. Um, so they it seems like kaizo wrote this, thinking that whoever wrote help on the ship is trying to help us, like they think that they are like trying to help us with something, they're trying to be our saviors or something like that.
Speaker 1:Um, we then get this demonstration of Icarus two and the ship shows the ship, uh sailing by an Icarus two, uh, floating into frame towards the ship and it's rotating kind of like a pinwheel. Um, it kind of looks like a sharing gun, a little bit like um, but it floats in and then it just kind of like sits there for a second and then it starts to twist and pinwheel again and it it basically fuses into the ship. The ship they now label as Icarus three and they call it this and they also say it's a human factory, which I do not like that term. I do not like the term human factory. We get a video of what looks like the hull of, like it looks like a room from the the ship, but the hallway has this like pink, like it looks like meat. That is like flooding the halls of the ship. It looks like meat to me. I might be wrong, but that's the vibe I'm getting here.
Speaker 1:Um, now kaizo in his diary, after some of this, we we flash back to hugo and he's reading more parts of his father's diary and hugo's just kind of standing there. Normally hugo's kind of like moving around. You see his face, um, he's, he's, you know he's, he's there. You see he's wearing glasses. You see his, his whole face. You see everything. He's kind of's, you know he's, he's there. You see he's wearing glasses. You see his, his whole face. You see everything. He's kind of moving around. This one is just his silhouette and he's not moving and he will.
Speaker 1:Usually, you know, speaks with some, speaks with some canter, you know some, some. He puts some, some oomph into it when he's speaking, but not this time. He's very like it sounds like he's like dead inside, kind of very monotone, and he's basically saying how kaizo's diary claims that everything went perfectly normal during their expedition is like, yeah, everything was cool, like, um, everything was really great. Uh, the mountains were beautiful, the water was like super clear, the ice was beautiful, um, the expedition went with no issues or no hiccups at all. And like he, like, he's Like he's talking, like he's got a gun to his head and he's forced to be saying these things. He goes on to say like the ship was clean when we got to it, the skies were clear. They're always clear, they're wonderful. He's like I'm ready to join civilization again, I'm ready to have a boy, I want to have a son.
Speaker 1:We then get these really freaky illustrations that were found on the ship, of what happened on the ship and also not going to step past that, because this whole time we're listening to Hugo Kaizo's son talk about this. Hugo like rips something off of his head. It looks like a headband or something. It's hard to say, but he kind of like looks up as if he feels free all of a sudden. It's very strange, but we get these, um, these, these illustrations.
Speaker 1:One looks like this it's like this wad of meat. You see this like red doorway, and then it's just like boop water meat on the ground and it it's like the, the doorway birth to this water meat. And then it slowly takes on this form that looks more and more human, like it. Just it sprouts like an arm, and then it sprouts a leg, and then it sprouts another leg and then another arm, and it slowly just becomes a person. And it's very freaky, it's. I think that's fair to say.
Speaker 1:I don't like it. All of the art looks pretty fucking fun. I don't like the thought that a meat hallway just spews out a chunk of meat and just like go go, my children, Become man. So it grows and it becomes this, it becomes man and then, like a damn xenomorph, a fucking little man comes and turns into a bigger man, and both the men just kind of stand up and they hold hands with each other. And then we just kind of cut to black and we get this very eerie children's song. It sounds like it's straight out of like Barney or something like that, and it's all about how you should help your teachers Gotta help each other. And then we get the Russian word for aid or help that comes up on screen and that's the end Of the Ningen, or Ninjin, or however you say it. I do not know. That's the end of this fucker.
Speaker 1:Um, honestly, bros, if I could be quite candid with you, bros. It's pretty cool. Um, it's really all I gotta say. Uh, it's pretty dope, I really enjoy it. Um, that's really all I gotta say. Uh, it's pretty dope, I really enjoy it.
Speaker 1:Um, it was a very fun little, uh little analog horror. There wasn't a huge, huge amount going on in it. I see the vision. I mean, if I'm being honest, I don't fully know what the plot is. I don't even know if this is finished. Um, I mean, it's been two years since the last upload, so I feel like maybe it is finished, but I don't know. Um, but like, the plot, from what I can tell, is like man goes on trip, finds a creature, creature infects him or becomes like one with him, and he goes back on the boat, kind of infects the boat and he births a son. I guess, yay, I don't know.
Speaker 1:There's a story here and it's one of those things where I can't put it into words. But if you just watch this from start to finish, you're like, oh, I get it. But if you try to describe it to someone, it's like, maybe I don't get it. But if you try to describe it to someone, it's like, maybe I, maybe I don't get it, um, but I do gotta say, like, again, I love, I like his art style. Monument Mythos is one of my favorites that we covered on the show and I'm really just happy that I was able to bring this into it and just kind of talk about a little bit. I'm really happy about that.
Speaker 1:Also someone mentioned was that Yoshi's ass. I saw, yes, jiggle, it was Yoshi's ass. You saw, um, you know what, let's just, let's just let's just leave it on Yoshi's ass for a minute, um, but yeah, I, I really enjoyed it. I think Alex put a lot of thought into it. He usually does A lot of his shit's very creative and he usually puts a lot of thought into his um, his, his, his I don't know his analog horrors, I guess his stories before he posts them or before he goes at them. And I respect that. It's a man that you know you're gonna get something of quality out of every time. But that's, I guess that's that with Ningen. Again, I'm sorry I can't pronounce it. If someone else doesn't pronounce it, please spell it out for me, because I'm an idiot. But I thoroughly enjoyed it. I hope you guys enjoyed this too.
Speaker 1:This is going to be a bit of a smaller episode. Obviously, it's just me. I can only talk so long by myself without anyone else chiming in for an assist. Um, I'm going to try doing one more thing after this. I don't think it's going to be a main episode, but we might toss it up anyway. Um, but I had a couple ideas for something else we can do. Um, but in the uh, in the meantime, uh, something else I want to do. You know what I'm gonna do this to pad for a little bit of time. Um, let's do this.
Speaker 1:Let me just open up the old google chrome a um, but, yeah, if you guys have any analog horrors, I mean we're, we're not I'm not saying we're scratching the fucking the the bottom of the barrel, because, goddamn, there's so many analog horrors out there, but I feel like, uh, I feel like we're, we've, we've run its course on some of the like golden ones, you know, uh, specifically ones like vita carnes. I love when they get like unreal engine or like video game engine stuff into it um, because I think we're at that point where that shit looks real enough to help, um, help show a scene or help uh, uh, put, just help, help. You see what's going on, like I, I just think I've. I just love that shit. It helps you do more than just a fucking like slideshow. You know your typical analog horror shit. Give me more Vita Karna stuff. Hmm, more Midwest stuff. More midwest angelica. Oh, good shit there, good shit.
Speaker 1:Um, after this, I am going to do an episode on just random ass shit I found on the internet, so I think that's going to be very fun. Uh, before I do that, uh, I am going to do my shout outs because I forgot to do that. So let me open everything up and hit us with a late game. Deludy housekeeping. Um, let's see if there's anyone for me to even fucking housekeep, true? Um, let's take a peek, all right, so we have isabella perez. We already shouted you out. Actually, you're the one where it's just like that's just your name, but it's a pretty name, so good job.
Speaker 1:Uh, we have light stuff, which I've been talking to. Light stuff, um, been talking to light stuff in the general chat in our discord. Go see our discord. Um, you can, you can chat with us through there, um, and say hi sometimes, but what's up? Light stuff, uh, name's pretty good, pretty good name. It looks like it's just light stuff.
Speaker 1:You, poor z's couldn't afford to give us any more money. Come on, come on, guys, I'm just kidding. Don't give us money if you can't afford it, especially because we're dumb and we don't need your money. And as much as I would like more money, there's probably better things to do with your money than give it to us. Um, I hope this was fine. I hope this was fine. I hope this was palatable. Um, apologies if it's a little boring. I know it's just me. I know you people chime in because you like the comedy that uh comes with uh, the boys, um and I. I apologize that you're probably not getting that right now. Um, but you know, we're all kind of going through a little bit this week and I'm hoping come Friday I can at least get another guy on with me to yeah, to hang out with. So but yeah, appreciate everyone hanging out. Hopefully the next one's better. I'm going to record another thing here, so we'll see how this goes, but thanks for tuning in everybody Deuces.
