Don't Look Under the Internet
Don't Look Under the Internet
DLUTI 216 - Obelisk
This week we analog our horrors nostalgically or something.
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SPEAKER_00:Yeah. Not necessarily that exactly, but yeah, is there anybody out there on porn making content?
SPEAKER_03:Like can we start a particular side of theater 3000 or porn? Can there be a corridor crew channel and they do VFX for porn exactly?
SPEAKER_00:This is what I'm talking about. And if not, I think we've found a wide open up a niche.
SPEAKER_03:Oh yeah, I agree.
SPEAKER_00:Should we just start re-uploading the podcast to Pornhub?
SPEAKER_04:To Pornhub? Honestly. Honestly. I mean, I mean, could we like that'd be really funny to see like if we just started money all of a sudden, right?
SPEAKER_05:What if we made I we I would I would honestly think that we'd make more money just uploading our shit to Pornhub? Yeah. I mean, I think advertising has more money in porn anyway.
SPEAKER_03:Yeah, and also I'm tired of at least we won't be fucked by YouTube, it'll be appropriate. Be appropriate.
SPEAKER_04:I need my three to five cents an episode.
SPEAKER_00:I'll re-upload the podcast with the audio unchanged, but like in Mike's video square, it'll just be a pair of titties, and Jason's just be a big old dick.
SPEAKER_04:Just jiggling. Yeah. Just a big jiggly cock. Just four four videos going. Yeah. Like uh like it's a sports bar, but for porn. A couple of wild wings of backdoor sport nine up in the top left corner. And yeah. Alright, cool. Hello, everyone.
SPEAKER_03:Welcome to Don't Look Under the Internet. The next big thing on Pornhub. Just keep watching. We're gonna be on there. That's uh that's uh that's Matt over there.
SPEAKER_00:Craig.
SPEAKER_03:That's Doug. It is. I am here, yeah. That's Jason. No, it's not. And I'm Mike. We're all gonna be on Pornhub soon, but not for reasons you think. Other reasons.
SPEAKER_00:For weirder reasons. Not for all the reasons you think. Maybe some of them. Maybe maybe some of them.
SPEAKER_03:Join us on our Patreon where we review all types of pornos together. We watch them. All of us sit fully bricked in the same room and we don't talk about it.
SPEAKER_05:Here's what we're gonna do. We're gonna put on a gay porno, and we're all gonna take some Viagra, and the first one to get a boner loses.
SPEAKER_03:I don't need the Viagra, son.
SPEAKER_05:I'm a man. Mike, Mike is uh is uh an erotic empath. You know what? Let me tell you this.
SPEAKER_03:Let me tell you this. First and foremost, we don't have any housekeeping, unfortunately. But let me tell you that's why we've talked about you ever seen those like sissy sissy hypno videos.
SPEAKER_00:We should just review those. Okay. Maybe it says something more about me than it does anything else.
SPEAKER_03:I think so. Let me tell you, boys. I won't even be I won't even be as hard as a brick. I'll be as hard as an obelisk, dog. Straight up.
SPEAKER_05:Whoa. The fucking bird scooter. It might have square wheels and it might not be good to look at, but it has brought us here.
SPEAKER_00:It doesn't matter. If it looks an erect handlebar.
SPEAKER_03:I'm I'm going off the tried and true. If it looks stupid but works, it's not stupid. It ain't stupid.
SPEAKER_00:I look stupid when I work sometimes. Does that make me not stupid?
SPEAKER_03:Partially. By Mike's logic, I guess. We're talking about today a YouTube channel, not Porno. We're talking about a YouTube channel called uh Obelisk, or I guess it's called Lizard Men Inc. But we're talking about the series called Obelisk. Now know what you're thinking. Boys, aren't you a little late given the fact that this comes out a week after recording and Nightmind already put out a video? Yes, we're aware. Because yesterday, yesterday, when Doug and I were looking for a topic, Doug's like, look at this really cool thing. And I'm like, that does look really cool. And then two minutes later, I just hear Doug go, You gotta be fucking kidding me. I'm like, what, buddy? It's like Nightmind just posted a video and you'll never guess on what. I'm not even I'm not even kidding.
SPEAKER_00:Like, Nightmind's stealing our content so hard, he's just listening.
SPEAKER_04:He bugged uncanny. I was like, literally, me and Mike were talking, and I was like, Let's do this. And he's like, Oh, that's good. And I was like, Okay, here's the outline, blah blah blah. And like literally an hour later, I'm like, Well, Nightmine just uploaded a video about this. Yep.
SPEAKER_03:So here's the thing I'm like Matt said, I am fully under the impression nightmind has bugged my room. This is not the first time this has happened, and it's not gonna be the last. I'm still upset about fucking Bosco Park. I talked about that shit. It got no one gave it a rat's ass. And then here his ass is uploaded, and everyone's like, this is the coolest fucking thing ever. I know I talked about it, I know. But no, no, no, no, no. It's only cool if he does it. It's only cool if he does it. That's okay, Nightmine. You're cool, I guess. Hit us up, dog. Hit us up, dog. I actually love you as well.
SPEAKER_00:Can we review my Nightmine's furry porn on the porn hub channel?
SPEAKER_05:Yeah, yeah. Dang. Hell yeah. That's the we're gonna we're gonna Mystery Science Theater 3000, Nightmind's Furry Porn. Hell yeah, dude.
SPEAKER_00:Next question. Has anybody broken into the analog pornography genre yet?
SPEAKER_03:Ooh, analog horror. Analog horror.
SPEAKER_00:There you go.
SPEAKER_04:It was right there. I mean, I did title our our outline obelisk anal horror. Yeah. I think that was. We're on to so many ideas.
SPEAKER_03:God, we we got this down. I swear to god, if next week when this comes out, it'll be on video. I swear next week this comes out and I see fucking a nightmind Pornhub channel, I'm gonna lose my fucking shit.
SPEAKER_05:Why are you saying that next week we're gonna have a Diluty Pornhub channel? Maybe you don't know what I'm gonna do. I have a week.
SPEAKER_04:Um let's email comment or Gmail that just says thanks for signing up to Pornhub.
SPEAKER_03:Oh guys, I need uh someone give me that six-digit code, please.
SPEAKER_04:Verify your identity.
SPEAKER_03:Yeah, you can't even access those things in Porta.
SPEAKER_04:So uh it's all up to you guys.
SPEAKER_03:Up that's that's that now. Well, you can now, thanks for a sponsor. Uh fuck VPN. There you go. Fuck VPN.
SPEAKER_05:Um prank your hog and the privacy of your own home. Yeah.
SPEAKER_03:Anyway, let's get into uh the channel that is Lizard Men Inc. The story of Obelisk. Where do we start? But not but the beginning.
SPEAKER_00:Well, let's start before the beginning, actually. So yeah, like Mike said, this is a channel called Lizard Men Inc. And the first, if you just go to the YouTube channel, the first thing you're actually gonna see is a skibbity toilet analog horror animation. Really putting the date on this. It is from two years ago, and it's it basically exactly what you would expect it to be. It's just somebody walking through a house, and then there's a their creepy thing in the toilet that comes out and attacks them. Um, but this does kind of set the tone of what the rest of this channel is like. This person describes themselves as a visual effects artist, and most of the videos are like a 3D blender bound footage, handheld camera style thing, like you've probably seen before in like backrooms videos and things like that. Yeah. Um but the first one that's actually in this series of videos is called Obelisk, My New Friend. And um we start the video with some text on the screen that says the person that's recording this has found a new friend and asks the viewer if they want to meet them. And then we get a shot of their closet, and it's like an old-timey closet with like the little slats in the middle. Um, it's like an ant uh handheld VHS filter again. We're told that their friend is in the closet, and so they go and get closer to the closet and they check it out, and it turns out friend is not in the closet, and they're like, Well, where'd he go? So they go wandering around the house, um, and then we cut to the living room and they're watching TV, and we find out that sometimes friend visits and watches TV with them, and now he's here. So he picks up the camera, you can hear some clunking going around in the house in the background, and he walks around a bit and then sticks the camera up the stairs and says, He's here, can you see him? And then it suddenly jump cuts to the bedroom again, and Friend is in the closet now. And I don't know how to describe this thing other than a gigantic bird with a humanoid face wearing a black hoodie.
SPEAKER_05:And that's yeah, that's that's pretty fucking accurate.
SPEAKER_00:That's kind of it. It is that's friend. He's in the closet. Um the next video on the channel, in which I'm not actually sure that this is part of the um series, is just called Preventing Home Invasions. It's a VHS public service announcement thing that just tells you what to do during der ring. A home invasion. Yeah. A home invasion. Um so we are told that home invasions are rare, but they keep uh they're more likely to happen uh to those who are unprepared. And then it just kind of goes through some things, some tips to keep in mind about uh avoiding home invasions, securing all your entrances, pretty obvious. Um if you see or hear a home intruder, evacuate immediately if possible. It is impossible to know if an intruder's an intruder's intentions or if they're armed or not. Um and then yeah, I think there's like five of these tips. It's pretty straightforward. And that's kind of just what that is. But the next one, we dive back into the world of the obelisk.
unknown:Woo!
SPEAKER_00:Also, duh, I can hear myself through the phone.
SPEAKER_04:No, I'm I'm not sure what the fuck is going on. I was just messaging about it, trying to turn my headphones down.
SPEAKER_05:Um Mike's being professional about it. Yeah, usually he's not as fuck.
SPEAKER_04:He's like, hey dickhead, your fucking shit is fucked. I turned my mic and my headphones down, so I'm not sure if it'll happen anymore, but I'll monitor my little box. Maybe you should just shut the fuck up, huh?
SPEAKER_00:Well, I was done anyway, so you ever thought about not talking to him?
SPEAKER_04:Yeah, you ever just thought about maybe not doing your part? I'll stop.
SPEAKER_03:Are you done by? Are you fucking done talking? He just leaves and just shuts down the whole recording. All right, fine.
SPEAKER_05:I guess I'll go. Um, so after we get that weird little intermission almost, um we go to a video called You're Almost Gone. Um, it's a quick little one-minute video, and it just shows like the ground level of a hallway, and there's a door, and it kind of starts opening a little bit. Um on the other side, you see something kind of like step through or kind of appear through. Um at one point it blocks it, like censors the face of whatever's coming through. You can tell that its arms are really fucking long because they almost touch the floor. Um, and then it cuts to another shot, and we get a a door that looks like it leads into the house, but the door looks like it's standing like uh fuck uh monsters ink, like the yeah, a random door that they just put in a thing, and you open it up and it leads into this fucking house. Um we get another shot of just like this weird, like like it's like no skin, muscly legs that are just standing on a forest floor.
SPEAKER_03:It looks a little bit like a siren head. Uh got that vibe from it. Yeah, without the fire.
SPEAKER_05:I actually said that in the comments.
SPEAKER_03:It looked like head.
SPEAKER_05:So someone someone said that in the comments, and they go, someone asked me if this looks like siren head, and I'm wondering if it's okay to just kill them now, or should I just let the life take care of that later? Damn. So you're like siren head. They didn't like that comment. I don't think they like siren head. Um, but I was like, I think this video is just kind of supposed to illustrate that this at least this door in this house is something that leads to other places. Like it might this house might not be everything that it seems, and it it kind of gave me like a house of leaves vibe if it if house of leaves were made into like uh an analog horror, I guess. Um, just because like it seems like the inside of this house is a little bit bigger. You got portals to other like places, just that are doors, it's fucking weird. And also, there's all these terrifying entities that inhabit whatever this other space might be. Uh very backrooms. Oh, very incredibly backrooms. Yeah, it's um I love backrooms.
SPEAKER_03:It's like the epitome, it's got like sh upside-down tables and shit like that. Like it's it's very backrooms-esque.
SPEAKER_05:Um, so after that one, that's the end of that one. Uh, the next one we get is called uh in your home. Now, this one, it starts, and you just see like a shot of again inside the same house that we were just looking at. We see a chair that's like propped against the door, light flicks on, uh, and there's text that comes up that says check on Abby. And so this is kind of almost like a this reminds me of a point-and-click game where like you have to click away things, open doors, because it's all like you click it and it's like instantaneously gone. And so whoever's doing this uh takes the chair away from the door, walks out of whatever door it's propped against, and walks down the hall, which is a really weird hallway that it's just like two really long hallways with two doors, one at either end.
SPEAKER_03:I also enjoyed that the previous videos went from like that, like what's the word I'm looking for? Um like unreal uh unreal engine-esque looking, like backrooms, like uh game vibe. This looks it went from like found footage to like like early 90s computer games, yeah.
SPEAKER_05:Riven, miss, drowned gods. Yeah, like it's it's it it looks like some old ass puzzle point and click game. I love it. Um whoever is behind the camera uh walks down this hallway in this like stop motion old 90s point and click puzzle game fashion. Um, and by the way, while this is all happening, you can hear like uh you can't tell exactly what it is at first, um, but you cut you figure it out soon enough once you approach the door at the end of the hall. It's like this whining, it's like this high-pitched, just weird noise. It sounds like it's either a baby fussing, a woman, a high-pitched woman orgasming, or somebody getting milk delivered. I can't tell which one it is. Um, but the next child does clear that up just a bit. All those things sound the same to you, huh? Yeah, someone getting milk. Take a walk in my shoes, Mike. Um, so we get to the end of this hallway and we open the door and we go inside and we see a crib. Now, when I first saw this, I go, Cool. Abby is probably the child.
SPEAKER_00:Welcome to my crib.
SPEAKER_05:It's haunted. Bad guy. Um I think Abby's a baby. Now, if you'll remember, one of the first things this individual had to do was take the barricaded, like the take down the barricade from their door and then go to where the baby is. That's diaphragm, bro. That is a wild thing for any parent to do that as a child. That's giving Mike energy.
SPEAKER_03:I'd say, as the resident parent, I've done worse.
SPEAKER_05:Have you ever heard of an iron coffin?
SPEAKER_03:Um sometimes, sometimes you put the chair against her door so I can't enter the room. You know, this is how it is.
SPEAKER_05:Sometimes um, so we get to this room with a crib, and we look into the crib, and the crib is empty. However, we still hear these like baby noises. And obviously confirmed at this point, the noises you're hearing down the hall is the baby fussing or whatever. Um, we see this this crib that's empty, and you go, Oh shit, the baby's gone. Pans back out to the uh like the full shot of the room, and we see this door who we assume leads to a closet. And in it, we see this this really like uh this face looks like they just spent the last week making the most delicious meal or the most delicious cake of their life, and their face looks like someone just in front of them threw the cake on the ground, just very upsetting, but it does have a jester's hat, which is good.
SPEAKER_04:This face is different from the original face that we saw too.
SPEAKER_05:Oh, yes, that is that is yes, this is a very, very different face. Whereas the first one, it looked it had almost like a really wide black, like sunken eyes.
SPEAKER_04:So if anybody has if anybody's familiar with the cover of Court of Owls, the Batman novel, or like graphic novel, that's what the face looks like from the original guy.
SPEAKER_03:I was gonna say, I was gonna say it looked like um what's that creepy pasta I was going around of like the the lady that like she kind of looked at the ring, but her face is all fucked up, and it was like, oh, if you say her name a couple times, she'll come and get you or whatever. No, I'm talking about it was like three years, four years ago. No, okay. Hopefully someone in the chat knows what I'm talking about. It was like you scroll across her. No, it was like you scroll across her on your phone or whatever, and you're cursed or some shit, and Momo! That's the one. It's Momo. Oh, Momo, holy fuck. Kind of looked like Momo to me a little bit. Or it looked like when uh Sasuke fights Orochimaru and Naruto Shapudin, and Orochimaru goes into his white snake form. He's got his white snake face, he's big, made up of a bunch of different white snakes, and then Sasuke's like, I'm gonna use Megenjutsu on you, but he's not gonna use his Mengekiu Shanghai because I have that at this point. But then uh Orochimaru's like, Oh, I'm gonna die here, aren't I? Kind of like that. You don't say very good, very good, Mike. That was in the beginning of Shaputin. That was a before Naruto was able to find him when they were stolen Rochimaru's hideout, when before Rochimaru got his arms fixed. Those third Hokage, Hirozen, he he's sealed away his ability to use jutsu, so he could use his arms.
SPEAKER_05:Matt, can you ask for this part when you edit the real 1.5 to 2? Yeah. Just so after we see this baby get stealing, get stealing, get stolen by a very sad looking job.
SPEAKER_00:Get stealed loser.
SPEAKER_05:Get the stealing. We get a it's almost like a security cam footage, black and white. It looks it's a different angle. Um, and it says all it says in text on the bottom, typed out, says the doors were locked. That's assuming that this individual has no fucking idea how this jester-headed, sad faced piece of shit got into their house. Um, going back to the last video I talked about, I think we kind of know how this thing got in the house. As long as you have your critical thinking skills tuned and turned on. I don't. They walked up. That's how we that's how we like you. Yeah, they just walked on. We turned the knob and came inside. And and came. Um turned the that is the end of the in your home video. And it introduces us to the fact that there are multiple things that might have access to this individual's house. There's a bay baby named Abby, and now the baby named Abby is gone.
SPEAKER_04:Yeah, so I guess right now we have three different creatures per se. Oh, yes. Um, but we have no idea their names. Who are you? What they are. There's monkey dude, there's pale grimace, and there's sad gesture. Yeah, yeah. Uh, so that leads us to video five, which is the house with no windows. Um, so the video starts, and we see this big yellow house. Um, and they they mention there that they've recently found a house that looks abandoned, and uh there are no other houses built around it, and it's seemingly in the middle of nowhere. Um, there's no windows, no doors. It's big, tall, weird shaped, and yellow. Um, and it looks like there's no way inside at all. Um, as this uh person is inspecting the house, they do notice a small hole that's covered up by like a board that looks to be an entrance into the crawl space. Um so whoever is filming right now or narrator, whatever you want to call them, um, they very clearly want to go inside of the house, and we end up seeing them crawl in, and then we get the following. So they're kind of like crawling through the crawl space, and it's uh very nicely rendered, I will say, for the the visual graphics that they have. Um but they're just like looking at the ground essentially and crawling towards the back of this crawl space. Um, but they see a way inside the home. Um, there's like a little square uh up on the on the boards, and they end up going inside of it. Um they mention that after um they get into the home um that it smells like burnt matches inside of that. Um the walls are all yellow, just like the outside of the building. Um, and you see them walk down this hallway and they come into uh what is I would assume is a you know dining area, but there's a kitchen table on the ceiling of the of the room, and we see three chairs. And if you look really closely during this little part, um you'll actually see a door um on the wall. It's super fucking faint, but you can see it kind of you come, it comes like in and out of like view almost, like it's like painted on per possibly. I'm not really sure. Um, but there's like they don't really you know acknowledge it or anything like that. But it does um the three chairs thing, I think is interesting because it means that there's three people in the house, uh assumedly, um, which we can talk about what that means later.
SPEAKER_00:I have six chairs in my tables. Does that mean there's five other people in my house I don't know about?
SPEAKER_04:I mean, don't you I mean, yeah, you're schizophrenic, right?
SPEAKER_03:That's you, me, Dupree, the skibbity toilet monster, Marley, Marley, Marley, um, so yeah, uh anyways, so uh there's a lot of slow walking down hallways um in this video.
SPEAKER_04:Um, and they come down to another door, uh, and the door is like weirdly fucking tall. And they actually mention it, they're like, this door is so tall. Um, but yeah, it's like this weird long ass door, um, good for fitting long boys in. And uh yeah, they go through the door and there's some like lights on inside this hallway, and which is kind of strange because like uh I don't know. The the the house that they're in is giving very like back rooms vibes. Actually, if you guys have seen skin emarink, it's giving big skinnemarink vibes. Yeah, yeah, um, very weird liminal house vibes. Um but yeah, so uh tall door, they go inside. Um, it's uh again just kind of random hallways leading to God knows where. And uh they're kind of looking around, and all of a sudden you see this fucking head uh kind of come out from one of the hallways, and the head is very familiar. It looks just like the face from the first video. Um, but this time it doesn't seem to have a body, it looks like kind of just a floating head version of itself. Um, so they kind of don't acknowledge it at all, and they end up walking down the hallway a bit more, and they come across a room with some like random art in it, some chairs, a desk inside. And um, once they enter the room, uh they see this sign on the wall, and it's sort of out of focus right off the bat, but they they end up getting closer to it, and the sign says, Be still and know that I am God. And for those of you who are Bible bumpers, um uh Psalms 46 10 is what that is. Um, it's a saying in the Bible. I think wasn't that in creepy, though.
SPEAKER_03:Wasn't that in uh the boiled one as well when the guy was laying in the bed? Well, wasn't that like the sign above his bed or some shit?
SPEAKER_04:Okay, I don't know. You're making me you're making me think a lot harder than I I have to right now, but uh um it's possible that that was a boiled peanut. So um, yeah, so they start exploring the hallways more of the house. Um, we see the narrator's shadow confirming that this is a normal human being. Um, and as they are walking, they end up leading, uh they end up going up to the staircase. The staircase leads to like what looks like pitch black, but it you can kind of tell that it's just uh stairs to a ceiling, which was giving really, really, really heavy uh Winchester Mansion vibes. Um he then finds uh another door uh leading down the hallway, and it's kind of like halfway up the wall, so like you could walk up to it, but the door the door is all the way up, and you can't you can't access it. So um, yeah. So after we see that door, it cuts again to like a slow-mo version of that floating head. Um, and uh we see the words I know your face and what are you um are put on the screen. And uh that's kind of where the the video ends. We we get that we get kind of a clearer face. Um, and one thing I wanted to point out too is that the the words uh that are on screen typically from the narrator seem to be white, but now we have this red text on the screen. So we're not we can't, I'm not sure like right now we can infer what that means, um, but we'll be able to later on in some of the other videos. So that's video five. Um video six is called Why Do You Keep Us Here? And this honestly goes really hand in hand with uh Jason's video, uh video four. Um, but uh it's I don't know, it's a strange video, as all of these are. But basically, it opens up with uh a cemetery, and as we're looking at the cemetery, uh we get some text on the screen that says, She is here somewhere. Uh the camera looks around and it's very point-and-click style. Like I love yeah, it's like very like click here and look over there, click here, I walk over here, like exactly that, what you think it is. Uh doors open, you're inside the cemetery, and they slowly make their way over to the back of the cemetery, and uh they walk up to what looks like a crib, and this crib has a big ass fucking caterpillar inside of it. Um something you expect. Yeah, it's not not quite what I was expecting when I first watched it, but um, it's pretty clear here that um whoever's whoever's eyes we're looking through isn't the person from the last video. Um we see a shadow uh come over the crib of the caterpillar that looks like the head of the jester man thing that we saw in the fourth video. And we see that it says, uh, you are not how I remember you, Abby. We get even this guy's like your caterpillar now, Abby. Yeah, so we cut to back inside of the house, uh, where that original video takes place where we see the pony head guy jump scaring us, and um, we can assume now that this is Abby's room or whatever. Um, we see a bit of blood on the floor, which I don't really have any idea why that's there. Um, I don't there's really nothing that concretely tells me what that is. I can infer what I think might have happened. Um I have a hypothesis. I think in when I was watching it, I assumed that that blood is there because we have to assume that maybe the baby got the axe, you know what I'm saying? Um, and uh I'm Mike, you might want to close your ears for that. Uh, I should have said that before. Trigger warning, baby something.
SPEAKER_00:Um you honestly scared the shit out of me because I moved to the next section of the video where the face is sticking out of the doorway, and you scream at exactly the same time.
SPEAKER_04:Um that's uh obviously that's that's great. That's good stuff. Um so yeah, we see Abby's room with some blood. Um and then on the screen we it says, Why do you keep me here? I can't stay here. Um, and then we cut to a few random shots of some different rooms, um, kind of like the path leading from where the person unbarricaded themselves. Um, and then we see a room with the pointy head guy again. Uh I did want to note that the inside of this place looks a lot like the yellow house from the last video. Um, so it's kind of strange that we're this David or this guy's house. I just totally spoiled the guy's name. You dumb bitch. Uh you can bleep that in post. Uh, this guy, his house uh looked an awful lot like the yellow house that we saw in the last video. Um whoops to think about what you did here today. Who knows too much? I don't know anything. Um okay, so yeah, we we hear uh we hear it's a small world playing, uh, but like if it's from like a music box and uh some crying begins to be going, uh there's like a bunch of crying going on in the background. Um, and I want to say that it's the weird jester guy for some reason. Like I feel like the noises are so like unnerving that like it's not it doesn't sound like just a baby crying, but that's just me. Um says, please forgive me. Um that flashes on the screen, and then the video ends. Um, I think it's safe to say here that we can kind of infer that the narrator has left Abby alone. Uh, they thought everything was locked, they clearly knew there was something watching the house. Um the entity saw the house, got in through magic door or whatever you want to call it. Um the entity also saw Abby as a caterpillar. I don't know if this has like if this is like a uh something to do with like the death of Abby or something like that, but um, I guess that's up for interpretation as well. But yeah, there's there's a lot that I think we can kind of put together now that uh I think these things have access to houses via doors wherever they want.
SPEAKER_03:Um I think that's most people. Most people have access to houses via door.
SPEAKER_04:Yeah, but not magic door. They don't have magic door.
SPEAKER_03:We don't have magic door, you're right.
SPEAKER_04:I wish I had magic door. Then I have Narnia. We have goon door, but not magic door.
SPEAKER_03:Is it my turn now?
SPEAKER_05:But uh huh. Are you done talking so I can actually start doing and paying attention things? Yeah, yeah. Yeah, I'm done.
SPEAKER_03:I'm done. Oh yeah. We're gonna take this bitch over to fucking Muppet Town real quick. So we're gonna talk about the next video called You've Come. Yeah, it's called You've Come Back.
SPEAKER_05:Takes a bit of a different scared vibes.
SPEAKER_03:Yeah, a bit of a different approach here. It's these two birds that look like big bird, and I'm not exaggerating much at all. They look like there's a blue one, there's like a brown one, and they look like a bigger bird. Blue one's sitting on the couch, and there's an empty fish bowl, and they're looking a little down in the dumps. And the brown one's like, hey, what's up? And the blue one's just like, you know, I've had Goldie, my goldfish, for so long, and I had to bury him today. Kind of sad about it. Uh, where do you think he is? And the brown one's like, I don't know, man. There's a lot of uh religions and what and people that think that when something dies, a little part of them comes back, you know, and and and it's still with you all this time. And then there's knock at the door, and for some reason it lets you know how many times they're knocked. I don't know if this is uh supposed to mean something, but it's like one, two, three, four, five, and like the the numbers show up on the door, and then it does it again up to ten. I don't know if that's supposed to be like a play on how like Sesame Street they do that where they're like one and two, three, and like the numbers show or something.
SPEAKER_04:Yeah, also but uh the fucking the clock on the wall is like the opposite colors of the clock from Don't Hug Me, I'm scared. I wonder if that's a small number.
SPEAKER_05:It's probably a reference, I would imagine. I'm almost positive this is a nod to don't hug me, I'm scared.
SPEAKER_03:And one thing I want to want to tout real quick He's even got the pigeon. Yeah, uh yeah. Um yeah, so uh so they hear the knock at the door, the the brown one goes to open the door, and they're like, Who's out there? He's looking outside, there's no one there, and then a butterfly, a big old butterfly, just starts flapping its wings and it just goes into the the room, and it's like, oh, it's a butterfly, and just ends.
SPEAKER_05:We're gonna hear about love now.
SPEAKER_03:Yeah, it just ends. But a couple things I want to point out. First and foremost, I know this is still done in like Blender or whatever, but it does give off that really good vibe of like this is like a sort of claymation, like sesame street, like they they they nailed it really well, like the aesthetic. Like there's little subtle things, like when they have like the the the focus shot of the fishbowl, it looks like it looks identical to like a little fishbowl that I bought for like Amelia's Barbies dolls or something like that. Like it looks like a little plastic thing. So I I think they kind of nailed it aesthetic-wise. Um, secondly, I I think they're kind of nailing it on the head a little bit with the symbolism. Well, with the butterfly, and we just saw this Abby figure being a caterpillar. Butterflies come from caterpillars, whoa. So this is I'm assuming supposed to be maybe news to me, maybe Abby's parents, and that is Abby kind of coming back into their life in some way, shape, and or form. It's not overly explained what it means, but it the the themes are there, you know. It pieces are kind of put into place a little bit. Um the next video is our longest yet. So happy I got it, but it's okay because most of it's just running simulator. Um so the last video here is called The Man in the Tower. And basically, we start off with um our I don't know, pro tag, if you will. Um and it they kind of just wake up in their bedroom, and the first thing they see is that their door is open, and they're like, I closed my bedroom door last night. Why is it open? They go and they look downstairs and they're like, no one's home. And they also make a reference to what Doug said before. They're like, it smells like burnt matches up in here. So that's a theme, I guess, that kind of keeps happening. Um so this video is really long, but there's not a lot of substance up until you get to the the end of the video. Um so they as they're looking down the stairs, they're like, you know, no one's home, it's just me. Um, as they make their way back down the stairs, there's text that comes up and they say, This is no longer my home. And they're wandering through the house and they see like this real small, thin doorway. They're kind of hesitant, it seems like to go in it. They're checking like a bunch of other doorways before they go there. They even go back upstairs where we see that like the closet is like tied off so like nothing could get in it. I'm assuming because you know, in like the first episode, it's like, want to meet my friend? He lives in the closet. His name's not R. Kelly, though. Um and and so he's got it tied off so nothing can get him through the closet. They had the chair up usually against the door. Um, so at this point, they're like, fuck it, YOLO, let's go. So they start exploring, they go through the the thin door, they start exploring around the house. Um, we get to uh they're they're going through a bunch of places, places that don't look familiar. As time goes on, they do start to look familiar. Um, like there's a portion when he walks by um a room and he's like, I know this room. Um, and it's just like a red chair, um, just like against a window. Um, he's walked by this room before, but it's not until they enter the room where they're like, This looks familiar. Um I believe there's a callback to in Doug's video where they go into the house without windows, where um Doug mentioned that there's the table and chairs up on the ceiling and there's that drawn-in door. Now the door is actually physically there. And the like I don't know what do you want to call it, crawl space uh vent or whatever that they originally entered in through in that that house without doors, that's there too. So they go into that door that isn't supposed to be there, and they're just kind of exploring this area. They're going about a little bit more, more frantic. You kind of get that sense that they feel a little lost in this house too, which I think harkens back to them saying, This isn't my house anymore. They they they don't feel like they're comfortable here. Um they then start to hear clutterings about. Um, they turn around after going up a couple hallways, they turn around, they see like lights like switching on and off, and then they just start fucking booking it. And then we have I would say roughly like 15 minutes of just running around. There's not a whole lot that happens up until at this point, up until like the 12-13 minute um mark, I would say. Um, where you do get um while they're running, you do see what's chasing them a little bit. You see this like one tall figure that's chasing them. It's kind of obscured in the darkness. You get the another figure, they're being chased by two figures, it seems. At least that's what it seemed to me. I don't know how accurate that is, but it I you're right.
SPEAKER_04:It's the it's like the floating head and then the tall thing.
SPEAKER_03:Yeah, you get the floating head, yeah, and then tall muscle muscly man, and they're chasing him around. As he's going through, he's saying our our protagonist is saying things like, Oh, um the the wall's changing. Um, the wall or the walls are changing, you know, this wasn't here before. He walks into another room and he's like, I've seen this room before. And this it's it's weird things where like as he's running around thinking he's getting lost, he's ending up kind of back in the same place he was. Like, for example, he runs past this room that has a balcony to another room which shouldn't be there. And like five minutes later, of him running through this whole maze, he takes a corner and he's in that balcony room. And he's like, I've been, I I know where I'm at, I've been here before. And he looks down, and that's where he was just running away from. So he's kind of going around in circles a little bit, uh unintentionally, and uh obviously it's a bit jarring to our uh our protagonist here. Um it ends on a weird note. It ends. It ends. Uh no, so uh they're being chased by the um like the floating head guy. Around like the 15-minute mark is when the like you see that there was actually two things chasing him. That's when you see the giant muscly man just kind of walk into frame. It's creepy as shit, but you're you don't understand that he's being chased by two figures until like this moment. That's when you're just like, oh fuck. Now what do we do? So we we draw a bit closer to the end here. Um they our protagonist runs up this flight of stairs. And as they get up this flight of stairs, they're looking around like they're like, uh uh, where the fuck do I go? Where the fuck do I hide? And they turn to go to this one room, and you see like this bed frame and you see this open closet door, and it's really subtle. It's really subtle, but in that closet door you see a noose hang in there. And you see like a ball on the ground, things like that. It pans over to this like um like the the door frame, and on the door frame, you see like height markings, like what you do if you're a kid when you want to measure how tall they're getting over the years, and it says David, and it has like dates next to it. This all takes place apparently, potentially in the 80s. It starts at like 82 or something like that, it goes up to like 80.
SPEAKER_00:Potentially, yeah. Potentially, it's right there, it starts in the dates that are.
SPEAKER_03:Well, I just mean like I just mean like well, you you don't know how much time.
SPEAKER_04:It's it's probably a little past that. That's what I'm saying.
SPEAKER_00:You don't know how much the 11th, probably from 80, yeah, like early 80s up through 80s. Early 80s to late eight. The last one says 88.
SPEAKER_03:Yeah, but we don't know how much time has passed for this because he's he's it's kind of like he's reminiscing about his childhood. In fact, he turns around, he goes into a bedroom, and he's like, Oh, it's my bedroom. And he's he's kind of taken a back by it. He's like, Oh, he's like going around, he's like, Oh, nothing's changed. This is great. Um, he got a little stuffed animal there, it's his bed. Um, so for all I know, this person's an adult now, and they're just back in their childhood home. So that's what I'm saying. Who knows when this takes place? For all we know, this shit that's happening right now took place now. I don't know.
SPEAKER_05:But anyway, we don't know when the the timeline lines up when the footage happens because we don't have this like date marker to come back in in all of these videos. Yeah, yeah, yeah.
SPEAKER_03:Yeah, so our protagonist starts hearing some something uh wandering around outside, like it's coming closer to him. And it sounds creepy as all fuck. It's making this like low gurgly type of uh uh voice. You can't really understand what it's saying. Um, but obviously David ain't having any of it. I'm calling David now because obviously it's David. We see his measurements and shit. Um so he hears this thing coming, he immediately closes the door to his room, and he hits the lights, and he runs and he hides in the closet. And it's all dark, and that's when we kind of hear this thing like dredging its way closer and closer. And that's when even you you get prompted, unfortunately, with what's being said, but um, as David's sitting in this closet, you hear David, David, like in this weird like uh undertone, it's very creepy, and even pops up um I believe on as this uh on the subtitles of the video, I believe. Um if it doesn't at this point, it gets pretty obvious as what this is.
SPEAKER_04:They do because it's red.
SPEAKER_03:Yeah. Um and then the lights turn on and David looks up with the camera, and the creepy thing from the the first video that we seen that was hiding in the closet is just staring him down, and it goes, David, and that's where all this ends. Now a couple things I want to point out, first and foremost, real quick, something I thought was odd was when he goes to hide into the closet, there's like a makeshift bed in there already. Like there's blankets, there's a pillow on the ground, there's like a I think like a lantern or something there. So it's like David's done this before, or something's done this before. Secondly, um something I forgot to bring up in my last video, but those like Muppet big bird things that we've seen in that video. This creature thing that is like haunting him a little bit, that just said his name and walked in on him into the closet, and also we see in the first video kind of look similar to the bird things in the You've Come Back video, like it's got the same type of legs, it's just like it's a more demented, fucked up version of that big bird creature. Um, so I'm assuming something's related there, but that's where this ends now is just this this horror just opens up the closet and just says David. We don't know what happens to David. We're gonna have to find out. We don't know yet.
SPEAKER_04:I think it's pretty clear here, too, that uh the series probably isn't done yet. They're probably gonna have more videos. Um, their uploads are super sporadic, like months and months in between uploads. Um it was this last video, I think, was uploaded. Right. Oh, I absolutely, yeah. I mean, if it's just one dude, which I'm pretty sure it is, um I mean the graphics are really good, it's all 3D, you know, modeled. It's not like I don't know. I can see it taking a while for one person to do all this. It makes sense. Um, the voice acting is good, the the graphics are great, the story is interesting enough to like keep you going, even though the the videos are like at most, you know, one to two minutes long. Um, but then you get a 20-minute video like this, and you understand why there's like a seventh-month gap in between videos or whatever. Um, so obviously, there's probably a lot more to come out, there's a lot more to be answered, there's a lot more questions than there are answers at the moment. Um, I think I think uh all in all, I think it's a a lot of fun to be.
SPEAKER_03:It's definitely the story so far, I think, definitely does what I think a lot of either unfiction or analog horrors do, where it's just like, let's talk about childhood trauma, ladies and gentlemen, and they just go with it. A lot of childhood trauma. I mean, the fact that I'm I'm pretty confident that the house without windows and whatnot is his child at home. Um the house without windows, I think, is just a reference to probably the parents boarding up the doors and windows from whatever was trying to break in. Uh I think you so you said before you didn't know what the blood meant. I got a theory real quick. If we want to dive into theories real fast, I mean if you got something to say. First off, I think that was like whoever that person in the point of view that we are watching, it's either it's either the mom or the dad point of view. And I think they got killed. I think that was them wounded and they're bleeding out in this. I think that's what that was supposed to be. Interesting.
SPEAKER_05:Yeah. I I also think the later like third of the series is from the perspective of a grown-up Abbey.
SPEAKER_03:No, because he he looks at the David Waller and he says, I used to be so short.
SPEAKER_00:Yeah, the monster also calls him.
SPEAKER_03:Yeah. Oh, it's a maybe, unless, unless, maybe it's a transitioning thing. They transition from being an Abbey to a David, Caterpillar to Butterfly. It could be a metaphor for transitioning.
SPEAKER_05:Oh, damn.
SPEAKER_04:That's actually really insightful. That's fair. That is that is something that could be.
SPEAKER_03:The only thing would be like the notches dudes still say David, but it is. It would be David turning into Abby.
SPEAKER_00:It wouldn't, it would have to be. Right.
SPEAKER_03:Yeah.
SPEAKER_04:I don't think the only thing that uh I think the only thing that disproves that is because yes, there's a lot of like there's a lot of like uh symbolism going on, but I think it's pretty pretty clear that David at some point is looking for Abby. I think it's kind of well established in some of the like the earlier stuff. Yeah I don't know for sure though.
SPEAKER_00:It also seems like an unnecessary detail.
SPEAKER_04:Yeah. Um we also don't know if there's uh like a mom involved. Like, so if we can assume that David is the father of Abby, we don't have a mom figure yet, I guess, right? Technically, I assumed David was like brother.
SPEAKER_00:Yeah, I that's how I interpreted it. I thought David was Abby's older brother and the two monsters, both the two different monsters and the birds that we see in the I just don't understand how that would be possible.
SPEAKER_04:The only problem with that is that it's pretty well established that the dad died when he was younger. So there's no way that well, I guess unless there's a new dad for David somewhere along the lines, and he has now a sister and whatever. That's the only thing. There's a lot of there's a lot of questions here. There's a lot of who's it's vague.
SPEAKER_03:Well, what would that have to do with it being the mom and dad, though?
SPEAKER_04:Well, I was saying I was saying that if if David is the dad of Abby, we don't know who the mom is. But if Matt Matt was saying, like if they're brother and sister, I feel like that would be confusing because it's been established that their dad passed away and they moved out of that house when that happened. But if that's the case, then if we're taking it for what it is, then it would be like a year after or something like that.
SPEAKER_03:I mean, because yeah, that's a baby, right? There could also be a gap because, like, I mean, we see David's notches of him growing. There's like six years worth of growth there.
SPEAKER_00:David could be an adult as he's experiencing this childhood trauma thing.
SPEAKER_05:Yeah. That's see, that's that is the one thing I do think is the later parts are it's like years and years have have happened between uh like the the first few videos or the first four of them. Well, three if you don't count the the VHS thing. Um these things that like live and it's about experiencing them the for the first time, and all of a sudden we get a video saying, like, hey, I found this fucking house.
SPEAKER_00:Yeah you know, something I thought like Mike was saying the the bed in the closet kind of implies that somebody has been here before, but it's possible that it's already been that it's David who has been here before, and he's just stuck in this loop of childhood trauma, and so he is an adult, but he can't let this go. So it's like he's re-experiencing it as if he's a child because he's never mentally moved on.
SPEAKER_03:I also think that that's very fair, actually. I also think the stuff in the closet, because like earlier on in some of the videos, you hear like I don't know, Jason said it was like a mailman milking you or whatever he said. You hear these weird sounds. I think those weird sounds might have been like the mom and dad having a domestic, and the bed in the closet was David's safe place where he went to hide to feel more safe. That was the that's what I got from it.
SPEAKER_00:It's quite possible.
SPEAKER_04:The monsters could be his imaginary friends or something, you know.
SPEAKER_00:Yeah, I think everybody's dead, so it's quite possible that like because we see the noose and everything, like it's quite possible the dad snapped, killed his mom and Abby, and then hung himself. Oh, Crispin Wad. And he was hiding in the closet. Like, yeah, maybe.
SPEAKER_03:I also had the thought too where like I think um in that in that video where it's like you uh you see the you see the crib, and that's where you first see like Star Head Man or Jester Man, whatever you want to call him. I think that was from the point of view of the mom, and she goes out to see what's going on. Jester man's the dad. I think you're kind of onto something. Family Annihilator, dude killed the mom and kidnapped the baby, and that's why you get later on when he's in the graveyard with the baby, it's dead, and he's like, I don't recognize you anymore because he's been gone for so long.
SPEAKER_00:No, I think she's dead. That's he's going to the graveyard to visit her grave. Like, yeah.
SPEAKER_02:That's kind of a good thing. I think everyone but David is dead. Yeah. Yeah. That would make I could see that.
SPEAKER_05:Well, I can't wait for a new video to come out to just confuse us even further. Oh, yeah. It's a new one's gonna come out and just be like, Yeah, all of you are just 100% wrong.
SPEAKER_03:It's actually about the power of friendship.
SPEAKER_00:Dead. Who's dead? The rope in the closet is just to pull down the attic door. What the fuck? Somebody spilled grape juice. Jesus Christ.
SPEAKER_03:The rope stands for the bond of loving family. What is wrong?
SPEAKER_04:This is all just a big misunderstanding. Yeah, got it. Can I just say one thing about that like puppet episode? The the visual effects on that, and like just the like the 3D modeling they did and the animation itself is so good.
SPEAKER_03:That's what I was saying. It looks like real it looks like real life like toys. It's very weird.
SPEAKER_04:If you go to the comments of that video, man, people are hard debating in there, like with some guy that was like doesn't know the difference between AI and like 3D modeling. Um, it's pretty funny.
SPEAKER_03:I also think I think the reason that video looks the way it does is because it is centered around Abby, who is a small child, so it's themed around like a child's oh yeah, a child's uh uh TV show, like a Muppets or Sesame Street or something. And that's because that's what that's what yeah, that's what Abby knows. So she comes back into this world as like a butterfly in this make-believe land that is you know bright and shinier to her than everybody else.
SPEAKER_04:So our take is for sure that she's dead though, like got murdered. Faux. Okay. Because like if we're taking things at face value, right? Like if we're not trying to be like, all right, what's what's like we're taking a look at the picture and we're like, all right, this is what this means. We have to assume that pointy jester hat man kidnapped Abby and killed her.
SPEAKER_03:I don't even know if he I don't even know if she died by murder or it was like an accidental thing.
SPEAKER_04:Well, that's I don't think there's specify. Yeah, I don't there's no real specification. I'm just kind of kind of just assuming because it seems like David was afraid of this guy and knew that it was watching them because there's one point where it you see a point of view from it outside of the house.
SPEAKER_03:I don't, and that's what makes me think I don't think it's David in that point of view, because every time we get David, he's through like the VHS lens, but the those other ones are that weird like 90s uh point of click game perspective. So I think that I mean, I'm not trying to bite off nightmind because I did watch his video, but I had that thought too, where the fact that it changes up how it's done and themed is for because it's from someone else's point of view. I don't know who's thinking box.
SPEAKER_04:I agree with that. I yeah, I wish I knew exactly what the jester guy represented. But that being said, I again, if we're taking it at face value, I think we have to assume that David was a piece of shit, locked himself in a room when he knew something was watching the house, and he's like, Fuck that baby. Fuck that maybe there's a little maybe there's a bit of guilt happening because the maybe that explains the bed in the that the bed in the closet that was a hiding place.
SPEAKER_05:Who knows? This are now that we put it in this light. This reminds me so fucking hard of uh fuck uh Buff Air or Boys Vert. Boys, yeah. Yeah, like the fucking the the the the super abstract trauma healing series, like yeah, this is this this reminds me of that heavily. Now that you put it like that, the only thing difference is there's no like giant grin toothed monsters, which I will say is something I do find refreshing in this series. It's not like the stereotypical analog horror faces that you see. One of them just looks like he dropped his ice cream cone.
SPEAKER_03:Like, whoa, it's this is the direction that I think a lot more YouTube horror in general needs to go. This this in in the aspect of like a Vita Carnas or something, where we're at that point with like Blender where you can tell a story and make it look real enough to where it's believable, you know what I mean, and it doesn't look janky as all fuck. I think I think this is the way to go.
SPEAKER_00:I think the uh medium is very cool. I want to see somebody else do I want to see somebody do something really creative with it. I yeah, I think these are super neat. I think the visuals here are super good. This this stretches the format a bit, which is great, but I'm really tired tired of seeing backrooms stuff in this style, and I would like to I would really like to see something like Vita Carnas like stretch out into sci-fi or something like that.
SPEAKER_04:Yes, I was actually gonna do something different, kind of when when you were saying you want to see more of this, I I don't want to see more of this, I want to see more like original things, but yeah, in this style, which is what Matt said. So yeah, that's what I mean.
SPEAKER_00:I think this backrooms kind of thing is which this person started doing this stuff like two years ago, so you we can't, you know, it's hard to say stop doing this, but like I I don't want to see a whole lot more of this kind of stuff personally.
SPEAKER_05:Well, just it it sucks that there's such a like uh especially for analog horror and this style of horror, and like I think Doug and I agree on this. We don't I don't think this is actually an analog horror, it's more of an unfiction than anything, because it's not like a I think it's a story, it's uh it's it's not a series of disjointed pieces of information that once you're done with it come together and form a story. Like it's literally just the like this happened then, this happened next, this then years have passed, and now this happened, this happened, this happened. It's just telling of a story. Yeah, the only analog thing about this is the filter.
SPEAKER_04:Yeah, that's it. That's 100% it.
SPEAKER_00:And like the it's like the 80s setting that I think is yeah, yeah, nostalgia.
SPEAKER_04:I think there's a big, big push for liminal things being really scary right now. Um, and like just over the past couple years, actually, I think people are I think the liminal space thing kind of hits like a nostalgic factor for people, it hits a fear factor for people, and it hits like a comfort factor for you know people like us who do this all the time and just watch it like this. Um, because you know, like, oh, you're like, oh, that's That's a liminal space. Something's about to be fucking creepy, you know. And like we we take comfort in knowing that, like, okay, this is the kind of thing we want to see. But I I also agree that, you know, maybe we need something new, a new scary that isn't just liminal spaces.
SPEAKER_00:Also, the thing that's dragging it out is like this sort of aesthetic and stuff is super popular on TikTok now. And it's like the late 90s and early 2000s are like the 80s from when we were younger, where like nobody nobody we grew up with remembers the 80s. But like when I was when I was in high school, the 80s was cool, you know, and so like people had like this nostalgia for this time period that they don't even remember, and it's the same sort of thing now where like older Gen Alpha kids and Gen Z kids are like nostalgic for this time period that they know nothing about, but it's even it's even harder for it's it's even like more so with them though, because they like they didn't experience it, so they have this like uber romanticized version of it in their head. So they're like they're nostalgic for this world that didn't even exist. Like we've they've cherry-picked all of these like good things from the late 90s and 2000s and like made this fantastical world out of it.
SPEAKER_03:They weren't there for the Crimea, they weren't there what they weren't there with the with with the USSR got dismantled.
SPEAKER_04:Why were you have you been waiting for this? Where are you? I feel like this is like a weird letter to the hill.
SPEAKER_03:Einfeld aired on television. Were you there for the four toros? No.
SPEAKER_05:I won. I need I need a good solid 10 to 15 minute mic rant.
SPEAKER_03:We haven't had everybody loves Raymond's pilot episode. You cannot talk, Jeremy. Um I remember when Robert was on the giant.
SPEAKER_04:Yeah, come back to us, uh guy who used to play games with us. Come back.
SPEAKER_03:One thing I do want to note uh if you're still out there. We're sorry.
SPEAKER_05:Everybody loves you, please. Yeah, the apology video soon. Don't worry. Damn it.
SPEAKER_03:One thing I do want to say though. Um, I know you were saying how like the whole like uh backrooms thing is kind of getting old. You want something new from this type of genre besides that? I agree, but I think the premise of it works here because the whole point is like this house is no longer familiar to this person, and it's kind of them diving into like trauma, everything's literally turned upside down on them. Um, I think that works. It doesn't get too over the top, like a lot of backroom stuff does, where it's like you open a door and all of a sudden there's a giant cityscape, and you're in an office room, and it's like, no, what I was just in Madden. It's it kind of stays beaten up in McDonald's. It's backrooms light for sure. There's some portions where like in one of Jasons you see a doorway that just comes from the woods, but that's like one off it's in the middle of the woods, and again, it looks like the monsters ink door, it's just a fucking door frame.
SPEAKER_04:Yeah, but that's like that reminded me of 2H32, right? What was it called? Was that what it looked like? Yeah, door in the forest.
SPEAKER_03:Yeah, but that's like that was like a one-off, that was a one-off thing. Other than that, besides things being like upside down or like doors where they don't belong, or like you know, like balconies where they shouldn't be, you know, weird things like that. It it's not like it went too over the top, like your typical backrooms thing does nowadays. So at least they're a little ting with it.
SPEAKER_05:But again, more house of leaves than it was backrooms, I think.
SPEAKER_03:Yeah, but I do agree. Give me Mike.
SPEAKER_04:Did you just lotion in the middle of that rant?
SPEAKER_03:It's hand sandy. Um, but I do I do agree. I would like to see this style, but in not backrooms. Give me more handheld horror in Blender, but just don't make it. It doesn't have magic something.
SPEAKER_05:School bus animation horror.
SPEAKER_03:That's the one, baby! That's the one. Give me the horror where they shrink into my body and the white blood cells attack them, and then Jimmy gets devoured by a white blood cell, and they have to unleash it.
SPEAKER_05:Give me that one drizzle inside of me. I mean, who doesn't, Doug? You know that bitch has a giant purple strap on.
SPEAKER_03:Like you, just like yours. Like mine! Hey boys, boys. That's like what?
SPEAKER_00:No, I'm looking at this uh video of the birds in the house and trying to make sense of the way the fur moves in my head.
SPEAKER_03:Oh, dude, the the fur is kind of creepy, but I'm not I'm trying to hand on the door.
SPEAKER_00:I'm trying to figure out it's gotta be like some sort of physics simulation, I guess, in like Blender or something. But like I can see the argument that people are making that it's possible that it's AI. I'm not gonna accuse him of that. But like, it's obviously not entirely AI, there's no way you could do that.
SPEAKER_03:But like the You can buy um, it's I think it's kind of expensive, but like five or six years ago, there was that company that let out all those like super popular videos of like people dancing, but there's like one that's like a dude made of like confetti, and like the other one's like a sludge monster man. They're all dancing, and like it's doing really good motion and like liquid sims and things like that. You can just buy that, those kind of simulations. You could buy that shit. It's probably expensive, but this guy is like in his own bio, he calls himself a 20-year-old VFX uh designer, so like he might just have all that shit because this is his passion. You know, it's it's I'm it's not above him, I don't think. When you're 20 and you got a hobby and you got no bills, you ain't got no rent, you can just sink all the money you want into that hobby. So you're not wrong. I think that's what happened there because I also got like it's the way it's the way the brown bird opens the doorknob that gets me.
SPEAKER_00:That's what I've watched twists. That's the way that's what I've watched repeatedly over and over again.
SPEAKER_03:Yeah, it's the way it twists. I've watched that feathers go with it.
SPEAKER_00:The feathers disappear into the door slightly.
SPEAKER_05:I have in the I have watched this in the reflection of Matt's glasses like twice now.
unknown:Okay.
SPEAKER_03:It's for me, it's that shot of the fishbowl in his right eye, but it's shot of the fishbowl.
SPEAKER_00:But also in the shot of the fishbowl, if you look in the background, in the doorway, there's like it's supposed to be implying that the father is walking further into the room, but what's actually happening is like what it what visually is happening doesn't make any sense, and I it's maybe just like draping like the physics are just kind of draping the fur in, but it like it doesn't, it's very strange. I still think I've been visually that's what I've been doing this entire time. You guys have been talking about just been visually inspecting the fur physics.
SPEAKER_03:I've got an algorithm. You've been myth busting the VFX. Well, everybody, specifically the fur. Yeah, that's been the first part of Obelisk, or not first part, but the bits that are here now. It is no first part of Obelisk. Yeah. So far. Tune in next week when we do two obelisk, two ma fobelisk.
SPEAKER_05:We're not gonna do that, but uh I need you to stop promising things to people because we never follow through.
SPEAKER_03:Tune in next week when we do our booby review on Pornhub. Um, Jasons are the best.
SPEAKER_04:Check out we we review the fattest the fattest nipples we could find. They're Jason's or longest, your choice. They're also Jason's. I qualify the pool. So you want fattest or longest nipples on Pornhub? You tell us.
SPEAKER_03:Uh I want to go ahead and say um thank you for joining us, everybody. And if uh if you see a dad out in the wild, go on, just give him the big old how you doing there, bud. Really get in there and shake his hand, and then give him the old how you doing there, bud. Really shake his dangle, just right in there. And uh that's all I got for you. Jason, what do you got?
SPEAKER_05:And okay, I'll obviously stay paranoid, especially for this. Can we make the new handshake where you just go up and you just just shake someone's dick? Like, just fucking give it a little immediately to the doc. Fucking jiggle it like the change in their pockets. Well, no, just like just whole, just whole like open palm the entire thing, just the whole package, balls, shaft, everything, and just give it a nice big jostle. And I want you to make that the new hello.
SPEAKER_03:Well, Cindy go to the palm from now on. Try again later.
SPEAKER_05:Holy shit. I wonder if there's somebody who hasn't has gotten a magic eight ball like dick implant.
SPEAKER_03:Maybe we'll call that the tally ha the Tallahassee hello. When you just go in there, grip on the shake.
SPEAKER_05:Just grab that grundle and yank it around.
SPEAKER_03:Everyone, hashtag Tallahassee Hello, go get that trending, go do it. Film it and then stay paranoid for that.com. Um, Doug, what do you got?
SPEAKER_04:Um obviously slap your pins and beans together, but could I want to do I kind of want us to like do a new thing? Uh and I this came to me the other day where I was watching MXC. Hell yeah, and they're like, Hell yeah, eliminated. Uh, and instead of that, we go, don't look under the internet.
SPEAKER_05:Oh, can we as long as long as we can superimpose fucking Vic Romano and Kenny Blankenship or Captain Teneal, one of the three. Absolutely.
SPEAKER_03:No, just no, it can be us. Just I'm I'm sorry, Moot, more work for you. At the end of every episode, just have the credits for what is it?
SPEAKER_05:It's not gonna do it.
SPEAKER_03:What is it? Takuna's castle or whatever that uh Takashi's Castle. Takeshi's castle, just have the end credits for Takeshi's Castle on the end of the case.
SPEAKER_05:If you have not seen the new season of that, I would actually recommend it's really fucking good. And I kind of want to go back and watch the original show now, now that I know what it's about, because I never knew. I just saw MXC. But it's actually a really fucking good show.
SPEAKER_04:Oh, yeah. No, it's it's most it's a lot of fun.
SPEAKER_03:Mood, what do you got?
SPEAKER_00:I really want to watch this video that's Harry Potter in Vietnam. Like an AI name Harry Potter.
SPEAKER_05:Harry Potter goes to war in the 60s.
SPEAKER_03:Harry Potter and the Red Runner, or whatever they're called on YouTube.
SPEAKER_05:Harry Potter and the Napal incursion.
SPEAKER_04:Harry Potter and the Sorcerer's Mustard Gas.
SPEAKER_03:Yeah. You heard it here, folks. That's what Matt wants you all to do. Go watch Harry Potter in Vietnam.
SPEAKER_04:Harry Potter in Vietnam.
SPEAKER_03:Harry Potter gets trapped in a pungy pit. Yeah. Bye, everybody. Bye. Have a day. Is this fe is this poop?
